Tom Moylan (ed.)
Dark Horizons
Science Fiction and the Dystopian Imagination
Herausgeber: Moylan, Tom; Baccolini, Raffaella
Tom Moylan (ed.)
Dark Horizons
Science Fiction and the Dystopian Imagination
Herausgeber: Moylan, Tom; Baccolini, Raffaella
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
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First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Produktdetails
- Produktdetails
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 276
- Erscheinungstermin: 18. September 2003
- Englisch
- Abmessung: 240mm x 152mm x 24mm
- Gewicht: 603g
- ISBN-13: 9780415966139
- ISBN-10: 0415966132
- Artikelnr.: 21618362
- Verlag: Jenny Stanford Publishing
- Seitenzahl: 276
- Erscheinungstermin: 18. September 2003
- Englisch
- Abmessung: 240mm x 152mm x 24mm
- Gewicht: 603g
- ISBN-13: 9780415966139
- ISBN-10: 0415966132
- Artikelnr.: 21618362
ContentsIndroduction: Dystopia and Histories Raffaella Baccolini and Tom
Moylan1. Utopia in Dark Times: Optimism/Pessimism and Utopia/Dystopia Ruth
Levitas and Lucy Sargisson2. Genre Blending and the Critical Dystopia Jane
Donawerth3. The Writing of Utopia and the Feminist Critial Dystopia: Suzy
MKee Charnas' Holdfast Series Ildney Cavalcanti4. Cyberpunk and Dystopia:
Pat Cadigan's Networks David Seed5. Posthuman Bodies and Agency in Octavia
Butler's Xenogenesis Naomi Jacobs6. 'A useful knowledge of the present is
rooted in the past': Memory and Historical Reconciliation in Ursula K.
LeGuin's The Telling Raffaella Baccolini7. 'The moment is here...and it's
important': State, Agency, and Dystopia in Kim Stanley Robinson's
Antarctica and Ursula K. LeGuin's The Telling Tom Moylan8. Unmasking the
Real? Critique and Utopia in Recent SF Films Peter Fitting9. Where the
Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and
Ghost Dog Phillip E. Wegner10. Theses on Dystopia and Anti-Utopia Darko
Suvin11. Concrete Dystopia: Slavery and its Others Maria Varsam12. The
Problem of the 'Flawed Utopia': A Note on the Costs of Eutopia Lyman Tower
SargentConclusion: Critical Dystopia and Possibilities Raffaella Baccolini
and Tom MoylanNotes on ContributorsIndex
Moylan1. Utopia in Dark Times: Optimism/Pessimism and Utopia/Dystopia Ruth
Levitas and Lucy Sargisson2. Genre Blending and the Critical Dystopia Jane
Donawerth3. The Writing of Utopia and the Feminist Critial Dystopia: Suzy
MKee Charnas' Holdfast Series Ildney Cavalcanti4. Cyberpunk and Dystopia:
Pat Cadigan's Networks David Seed5. Posthuman Bodies and Agency in Octavia
Butler's Xenogenesis Naomi Jacobs6. 'A useful knowledge of the present is
rooted in the past': Memory and Historical Reconciliation in Ursula K.
LeGuin's The Telling Raffaella Baccolini7. 'The moment is here...and it's
important': State, Agency, and Dystopia in Kim Stanley Robinson's
Antarctica and Ursula K. LeGuin's The Telling Tom Moylan8. Unmasking the
Real? Critique and Utopia in Recent SF Films Peter Fitting9. Where the
Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and
Ghost Dog Phillip E. Wegner10. Theses on Dystopia and Anti-Utopia Darko
Suvin11. Concrete Dystopia: Slavery and its Others Maria Varsam12. The
Problem of the 'Flawed Utopia': A Note on the Costs of Eutopia Lyman Tower
SargentConclusion: Critical Dystopia and Possibilities Raffaella Baccolini
and Tom MoylanNotes on ContributorsIndex
ContentsIndroduction: Dystopia and Histories Raffaella Baccolini and Tom
Moylan1. Utopia in Dark Times: Optimism/Pessimism and Utopia/Dystopia Ruth
Levitas and Lucy Sargisson2. Genre Blending and the Critical Dystopia Jane
Donawerth3. The Writing of Utopia and the Feminist Critial Dystopia: Suzy
MKee Charnas' Holdfast Series Ildney Cavalcanti4. Cyberpunk and Dystopia:
Pat Cadigan's Networks David Seed5. Posthuman Bodies and Agency in Octavia
Butler's Xenogenesis Naomi Jacobs6. 'A useful knowledge of the present is
rooted in the past': Memory and Historical Reconciliation in Ursula K.
LeGuin's The Telling Raffaella Baccolini7. 'The moment is here...and it's
important': State, Agency, and Dystopia in Kim Stanley Robinson's
Antarctica and Ursula K. LeGuin's The Telling Tom Moylan8. Unmasking the
Real? Critique and Utopia in Recent SF Films Peter Fitting9. Where the
Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and
Ghost Dog Phillip E. Wegner10. Theses on Dystopia and Anti-Utopia Darko
Suvin11. Concrete Dystopia: Slavery and its Others Maria Varsam12. The
Problem of the 'Flawed Utopia': A Note on the Costs of Eutopia Lyman Tower
SargentConclusion: Critical Dystopia and Possibilities Raffaella Baccolini
and Tom MoylanNotes on ContributorsIndex
Moylan1. Utopia in Dark Times: Optimism/Pessimism and Utopia/Dystopia Ruth
Levitas and Lucy Sargisson2. Genre Blending and the Critical Dystopia Jane
Donawerth3. The Writing of Utopia and the Feminist Critial Dystopia: Suzy
MKee Charnas' Holdfast Series Ildney Cavalcanti4. Cyberpunk and Dystopia:
Pat Cadigan's Networks David Seed5. Posthuman Bodies and Agency in Octavia
Butler's Xenogenesis Naomi Jacobs6. 'A useful knowledge of the present is
rooted in the past': Memory and Historical Reconciliation in Ursula K.
LeGuin's The Telling Raffaella Baccolini7. 'The moment is here...and it's
important': State, Agency, and Dystopia in Kim Stanley Robinson's
Antarctica and Ursula K. LeGuin's The Telling Tom Moylan8. Unmasking the
Real? Critique and Utopia in Recent SF Films Peter Fitting9. Where the
Prospective Horizon is Omitted: Naturalism and Dystopia in Fight Club and
Ghost Dog Phillip E. Wegner10. Theses on Dystopia and Anti-Utopia Darko
Suvin11. Concrete Dystopia: Slavery and its Others Maria Varsam12. The
Problem of the 'Flawed Utopia': A Note on the Costs of Eutopia Lyman Tower
SargentConclusion: Critical Dystopia and Possibilities Raffaella Baccolini
and Tom MoylanNotes on ContributorsIndex