Simone Browne shows how racial ideologies and the long history of policing black bodies under transatlantic slavery structure contemporary surveillance technologies and practices. Analyzing a wide array of archival and contemporary texts, she demonstrates how surveillance reifies boundaries, borders, and bodies around racial lines.
Simone Browne shows how racial ideologies and the long history of policing black bodies under transatlantic slavery structure contemporary surveillance technologies and practices. Analyzing a wide array of archival and contemporary texts, she demonstrates how surveillance reifies boundaries, borders, and bodies around racial lines.
Acknowledgments vii Introduction, and Other Dark Matters 1 1. Notes on Surveillance Studies: Through the Door of No Return 31 2. "Everybody's Got a Little Light under the Sun": The Making of the Book of Negroes 63 3. B®anding Blackness: Biometric Technology and the Surveillance of Blackness 89 4. "What Did TSA Find in Solange's Fro?": Security Theater at the Airport 131 Epilogue. When Blackness Enters the Frame 161 Notes 165 Bibliography 191 Index 203
Acknowledgments vii Introduction, and Other Dark Matters 1 1. Notes on Surveillance Studies: Through the Door of No Return 31 2. "Everybody's Got a Little Light under the Sun": The Making of the Book of Negroes 63 3. B®anding Blackness: Biometric Technology and the Surveillance of Blackness 89 4. "What Did TSA Find in Solange's Fro?": Security Theater at the Airport 131 Epilogue. When Blackness Enters the Frame 161 Notes 165 Bibliography 191 Index 203
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