A fresh account of one of the cinema's great technicians, making the case for his value as a deep and richly thematic filmmaker.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Lydia Goehr is Professor of Philosophy at Columbia University, USA. Her publications include The Quest for Voice: Music, Politics and the Limits of Philosophy (1998) and Elective Affinities: Musical Essays on the History of Aesthetic Theory (2008).
Inhaltsangabe
Preface 1. Making the Cut by Musical Means: Introduction to the Films of David Lean 2. Beethoven and Bust: This Happy Breed (1944), Ryan's Daughter (1970) 3. Rachmaninoff on Record: Blithe Spirit (1945), Brief Encounter (1945) 4. Concerto for all Hands: In Which We Serve (1942), Brief Encounter (1945) 5. Of Craft and Craftiness: Great Expectations (1946), Oliver Twist (1948)), Hobson's Choice (1954) 6. Dream Vacations and Souvenirs: The Passionate Friends (1949), Summer Madness (1955) 7. Trials of Home and Hard Labor: Madeleine (1950), The Sound Barrier (1952), The Bridge over the River Kwai (1957) 8. Myths, Gifts, and Echoes: Lawrence of Arabia (1962), Doctor Zhivago (1965), A Passage to India (1984) Bibliography Index
Preface 1. Making the Cut by Musical Means: Introduction to the Films of David Lean 2. Beethoven and Bust: This Happy Breed (1944), Ryan's Daughter (1970) 3. Rachmaninoff on Record: Blithe Spirit (1945), Brief Encounter (1945) 4. Concerto for all Hands: In Which We Serve (1942), Brief Encounter (1945) 5. Of Craft and Craftiness: Great Expectations (1946), Oliver Twist (1948)), Hobson's Choice (1954) 6. Dream Vacations and Souvenirs: The Passionate Friends (1949), Summer Madness (1955) 7. Trials of Home and Hard Labor: Madeleine (1950), The Sound Barrier (1952), The Bridge over the River Kwai (1957) 8. Myths, Gifts, and Echoes: Lawrence of Arabia (1962), Doctor Zhivago (1965), A Passage to India (1984) Bibliography Index
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