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David Martin was invited to go on the journey of a lifetime to meet with a legendary king...but he couldn't believe it. He was just a boy of twelve summers, and this was a man he'd revered his entire life. The honor was great, and his excitement was boundless. However, during the six-day journey to the castle David learned not everyone thought so well of the king, and he began to wonder if the man was truly the hero he'd imagined...or if he'd always been nothing but a legend.

Produktbeschreibung
David Martin was invited to go on the journey of a lifetime to meet with a legendary king...but he couldn't believe it. He was just a boy of twelve summers, and this was a man he'd revered his entire life. The honor was great, and his excitement was boundless. However, during the six-day journey to the castle David learned not everyone thought so well of the king, and he began to wonder if the man was truly the hero he'd imagined...or if he'd always been nothing but a legend.
Autorenporträt
Kyle Michel Sullivan is a writer and self-involved artist out to change the world until it changes him, as has already happened in far too many ways. He used to write screenplays, but now he has written books that range from sunshine and light (David Martin) to cold and dark (How To Rape A Straight Guy, which has been banned a couple of times) to flat out crazy (The Lyons' Den) to mainstream (The Alice '65) to a tale of tragedy and redemption (Bobby Carapisi). He has ventured into SF-Horror-Suspense with The Beast in the Nothing Room, done gay revenge in Porno Manifesto and worked up a vicious female revenge thriller in Carli's Kills, then taken Capitalism to its logical extreme in Hunter. He has also written murder mysteries (Rape in Holding Cell 6, The Vanishing of Owen Taylor, and Underground Guy), and is working on an erotic gay vampire series titled Blood Angel, that will be in several e-book parts.Most of his novels are gay-oriented but not all. Many contain intense sexual content that fits the erotica category, but not all. Some are even romantic and tender. As he says, he's written what he's written, and each one of those books got him one step closer to this point. He tries to build characters as vivid and real as possible and has a lot of fun doing it mixed with angst, anger, and amazement ... but that's the lot of a writer.