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David Wojnarowiczs use of photography, at times in conjunction with text and painting, was extraordinary, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. This book address Wojnarowiczs profound legacy: the relentless tugs, allegiances, censorship, and ethical issues.
Twentieth Anniversary Edition David Wojnarowicz¿s use of photography was remarkably innovative, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape began in collaboration with the artist before his death in 1992 and first published inn 1994, engaged those who Wojnarowicz would refer to as his tribe or community. Now, on the twentieth anniversary of Brush Fires, when interest in the artist¿s work has increased exponentially, Aperture has expanded and redesigned this seminal publication to be even more inclusive. It is the only book that features the breadth of Wojnarowicz¿s work with photography. The contributors—from artist and writer friends to the lawyer who represented him in his case against Donald Wildmon and the American Family Association, to the next generation of artists who were influenced by Wojnarowicz¿s sensibility—together offer a compelling, provocative understanding of the artist and his work. Contributors include: Vince Aletti, Barry Blinderman, Cynthia Carr, David Cole, Shannon Ebner, Leonard Fink, Karen Finley, Nan Goldin, Félix Guattari, Wade Guyton, Melissa Harris, Elizabeth Hess, Tessa Hughes-Freeland, Peter Hujar, Fran Lebowitz, Lucy R. Lippard (introduction), Sylvère Lotringer, Carlo McCormick, Henrik Olesen, Wendy Olsoff, Adam Putnam, Tom Rauffenbart, James Romberger, Emily Roysdon, Marion Scemama, Gary Schneider, Amy Scholder, Kiki Smith, Andreas Sterzing, Zoe Strauss, Marvin J. Taylor, Lynne Tillman, and Wolfgang Tillmans.
Twentieth Anniversary Edition David Wojnarowicz¿s use of photography was remarkably innovative, as was his unprecedented way of addressing the AIDS crisis and issues of censorship, homophobia, and narrative. Brush Fires in the Social Landscape began in collaboration with the artist before his death in 1992 and first published inn 1994, engaged those who Wojnarowicz would refer to as his tribe or community. Now, on the twentieth anniversary of Brush Fires, when interest in the artist¿s work has increased exponentially, Aperture has expanded and redesigned this seminal publication to be even more inclusive. It is the only book that features the breadth of Wojnarowicz¿s work with photography. The contributors—from artist and writer friends to the lawyer who represented him in his case against Donald Wildmon and the American Family Association, to the next generation of artists who were influenced by Wojnarowicz¿s sensibility—together offer a compelling, provocative understanding of the artist and his work. Contributors include: Vince Aletti, Barry Blinderman, Cynthia Carr, David Cole, Shannon Ebner, Leonard Fink, Karen Finley, Nan Goldin, Félix Guattari, Wade Guyton, Melissa Harris, Elizabeth Hess, Tessa Hughes-Freeland, Peter Hujar, Fran Lebowitz, Lucy R. Lippard (introduction), Sylvère Lotringer, Carlo McCormick, Henrik Olesen, Wendy Olsoff, Adam Putnam, Tom Rauffenbart, James Romberger, Emily Roysdon, Marion Scemama, Gary Schneider, Amy Scholder, Kiki Smith, Andreas Sterzing, Zoe Strauss, Marvin J. Taylor, Lynne Tillman, and Wolfgang Tillmans.