Dawn of the DAW examines DIY recording studio practices past and present, with a focus on the concept of "the studio as musical instrument" the evolving role of the producer, and the implications of these practices for the field of music education.
Dawn of the DAW examines DIY recording studio practices past and present, with a focus on the concept of "the studio as musical instrument" the evolving role of the producer, and the implications of these practices for the field of music education.
Adam Patrick Bell is an Assistant Professor of Music Education in the School of Creative and Performing Arts at the University of Calgary, Canada. He has written several peer-reviewed articles and chapters on the topics of music technology in music education, and disability in music education. Prior to his career in higher education, Bell worked as a kindergarten teacher, elementary music teacher, and support worker for adolescents with disabilities. Bell has also worked as a freelance producer, creating commercial music for clients including Coca-Cola.
Inhaltsangabe
Preface Part I Chapter 1 - A History of DIY Recording: Striving for Self-Sufficiency Chapter 2 - The Studio: Instrument of the Producer Part II Preface to Part II - Made In Brooklyn Chapter 3 - Track 1: Michael Chapter 4 - Track 2: Tara Chapter 5 - Track 3: Tyler Chapter 6 - Track 4: Jimmy Part III Preface to Part III - Learning Producing Producing Learning Chapter 7 - Mixing the Multitrack: Cross Case Analyses Chapter 8 - Mastering the Multitrack: Conclusions Bibliography Index
Preface Part I Chapter 1 - A History of DIY Recording: Striving for Self-Sufficiency Chapter 2 - The Studio: Instrument of the Producer Part II Preface to Part II - Made In Brooklyn Chapter 3 - Track 1: Michael Chapter 4 - Track 2: Tara Chapter 5 - Track 3: Tyler Chapter 6 - Track 4: Jimmy Part III Preface to Part III - Learning Producing Producing Learning Chapter 7 - Mixing the Multitrack: Cross Case Analyses Chapter 8 - Mastering the Multitrack: Conclusions Bibliography Index
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