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"Much of this book is a dense, exhilarating ride through phantasmagoria, illuminated by bright, gleaming generalities: 'someone in the audience will wonder if that is how we are meant to survive our memories.' How are we to survive not only our memories, but diminishment and nightmare? Many of the gods who preside here are movie makers, from Jacques Tourneur to Takashi Miike. But startlingly, these mysterious and eloquent poems culminate in the long, next-to-last, magnificent poem 'Son et Lumière.' Stevens now is the fecund model, as Richard Deming modulates beautifully between four- and five-…mehr

Produktbeschreibung
"Much of this book is a dense, exhilarating ride through phantasmagoria, illuminated by bright, gleaming generalities: 'someone in the audience will wonder if that is how we are meant to survive our memories.' How are we to survive not only our memories, but diminishment and nightmare? Many of the gods who preside here are movie makers, from Jacques Tourneur to Takashi Miike. But startlingly, these mysterious and eloquent poems culminate in the long, next-to-last, magnificent poem 'Son et Lumière.' Stevens now is the fecund model, as Richard Deming modulates beautifully between four- and five- and even six-line stanzas. This is a tremendously accomplished, fascinating book." -Frank Bidart
Autorenporträt
Richard Deming's first collection of poems, LET'S NOT CALL IT CONSEQUENCE (Shearsman Books, 2008), won the Norma Farber Award from the Poetry Society of America and was a finalist for the Connecticut Book Award. He is also the author of Listening on All Sides: Towards an Emersonian Ethics of Reading. In 2012, he was awarded the Berlin Prize by the American Academy in Berlin. He is currently Director of Creative Writing at Yale University.