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Erscheint vorauss. 18. März 2025
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“Though the four novellas comprising Dead Writers vary tremendously in style and subject matter, they all evoke a delicious, spine-tingling sense of dread. These tales take readers on a head spinning journey through the inner workings of a cruel colonial school, all the way to a creepy contemporary vacation rental, never losing sight of the selfish, unscrupulous, and inescapable aspects of human behaviour. This is a collection that will keep you turning pages, but that will also make you wonder: Are the pages turning you?”—Allegra Hyde, author of The Last Catastrophe In this collaborative…mehr

Produktbeschreibung
“Though the four novellas comprising Dead Writers vary tremendously in style and subject matter, they all evoke a delicious, spine-tingling sense of dread. These tales take readers on a head spinning journey through the inner workings of a cruel colonial school, all the way to a creepy contemporary vacation rental, never losing sight of the selfish, unscrupulous, and inescapable aspects of human behaviour. This is a collection that will keep you turning pages, but that will also make you wonder: Are the pages turning you?”—Allegra Hyde, author of The Last Catastrophe In this collaborative fiction project, four writers navigate the protean concept of the “bargain” in novella-length stories. A biographer surveying the career of a “haunted” literary figure, a lovelorn journalist entering into a diabolic covenant, a tourist attempting to stay sober through her holiday travels, and a doctor’s complicity in a colonial scandal: These horror-inflected offerings of existential dread, tainted pasts, and uncertain futures serve as an unbalancing reminder that there is always a high price to pay for the corruption of the soul.
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Autorenporträt
Jean Marc Ah-Sen is the author of Grand Menteur, In the Beggarly Style of Imitation, and Kilworthy Tanner. His writing has appeared in Literary Hub, Catapult, The Comics Journal, Hazlitt, Maclean’s, and elsewhere. The National Post has hailed his writing as “an inventive escape from the conventional.”