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"Deadlock: Pilgrimage Vol. 6" by Dorothy M. Richardson is the penultimate installment in her groundbreaking modernist novel collection, "Pilgrimage." This painting continues the introspective adventure of its protagonist, Miriam Henderson, thru the complexities of her existence and the evolving global round her. As Miriam grapples with the societal changes of the early 20th century, Richardson employs her different move-of-attention style to in detail explore the individual's mind and emotions. "Deadlock" affords a nuanced portrayal of Miriam's relationships, aspirations, and inner conflicts,…mehr

Produktbeschreibung
"Deadlock: Pilgrimage Vol. 6" by Dorothy M. Richardson is the penultimate installment in her groundbreaking modernist novel collection, "Pilgrimage." This painting continues the introspective adventure of its protagonist, Miriam Henderson, thru the complexities of her existence and the evolving global round her. As Miriam grapples with the societal changes of the early 20th century, Richardson employs her different move-of-attention style to in detail explore the individual's mind and emotions. "Deadlock" affords a nuanced portrayal of Miriam's relationships, aspirations, and inner conflicts, delving into the demanding situations confronted by means of a girl navigating the moving landscapes of feminism, identity, and societal expectations. The name "Deadlock" shows a feel of stasis or deadlock, shooting the essence of Miriam's battle to reconcile her individuality with societal norms. Richardson's narrative prowess shines as she weaves collectively difficult layers of notion and experience, presenting readers with a bright and immersive literary revel in. As a pivotal quantity within the "Pilgrimage" collection, "Deadlock" contributes to Richardson's legacy as a pioneering modernist author, providing a profound exploration of the human psyche and the changing dynamics of a swiftly evolving global.
Autorenporträt
At the outbreak of World War I, he joined the Royal Flying Corps and worked as an assistant to David Henderson and Hugh Trenchard in France. Throughout the war, he wrote with Lady Juliet Duff, the widow of Sir Robin Duff, 2nd Baronet of Vaynol, who was killed on October 16, 1914, near Oostnieuwekirke while fighting in the 2nd Life Guards. The letters were ultimately published under the title Dear Animated Bust: Letters to Lady Juliet Duff. Richardson was born in Abingdon in 1873, as the third of four daughters. After the fourth daughter was born, Dorothy's father (Charles) began referring to her as his son. Richardson, meantime, "also attributed this habit to her own boylike willfulness". She lived at 'Whitefield', a huge mansion-style residence on Albert Park erected by her father in 1871 and currently owned by Abingdon School. Her family relocated to Worthing, West Sussex, in 1880, and then to Putney, London, in 1883. During her time in London, she "attended a progressive school influenced by the ideas of John Ruskin", in which "the pupils were encouraged to think for themselves". in which she "studied French, German, literature, logic and psychology".