Randall Mann is the author of five books of poetry including Complaint of the Garden, Breakfast with Thom Gunn, Straight Razor, Proprietary, and, most recently, A Better Life. Recipient of the Kenyon Review Prize in Poetry and the J. Howard and Barbara M.J. Wood Prize awarded by POETRY magazine, Mann is also author of The Illusion of Intimacy: On Poetry, a book of literary criticism. Mann’s poetry has appeared in the Adroit Journal, Asian American Literary Review, Kenyon Review, Lit Hub, Paris Review, Poem-A-Day, POETRY, San Francisco Chronicle, and elsewhere. Three-time finalists for the Lambda Literary Award, Mann’s poetry collections have been shortlisted for the California Book Award and Northern California Book Award, and long-listed for the Golden Poppy Awards’ Martin Cruz Diversity and Inclusion Award. Mann lives in San Francisco.
Inhaltsangabe
New Poems A Walk in the Park In the Beginning Deal Blue The Summer of 1996 A Step Past Disco In the Rapid Autumn of Libraries Days Wi-Fi The Past Double Life Luck September Containment One Night Stand The Scene Tagged Friday Poem Beginning with a Line by Wayne Koestenbaum Against Metaphor The Turn of the Year from Complaint in the Garden (2004) ? Poem Beginning with a Line by John Ashbery Song Eros Complaint of the Regular Complaint of the Lecturer The Heron The Revival of Vernacular Architecture The Shortened History of Florida The Landscape of Deception Pantoum Evidence Fiduciary The End of the Last Summer from Breakfast with Thom Gunn (2009) Early Morning on Market Street Politics Queen Christina The Mortician in San Francisco Bernal Hill Ruin Last Call The End of Landscape Syntax Breakfast with Thom Gunn Ovid in San Francisco The Long View N Ocean Beach Translation Lexington from Straight Razor (2013) The Fall of 1992 Straight Razor Cockroach My Guidance Counselor Stable End Words September Elegies Song Larkin Street Only You Teaser Hyperbole But Enough About Me The Lion’s Mouth Untoward Occurrence at Embassy Suites Poetry Reading American Apparel from Proprietary (2017) Proprietary Nothing Black Box Order Florida Proximity Realtor Halston Leo & Lance Perspective Complaint Dolores Park Alphabet Street Translation Young Republican Almost from A Better Life (2021) A Better Life Florida Again True Blue Rhapsody RSVP Stalking Points Everybody Everybody The Lone Palm Weather Anecdote of an Ex- The Summer Before the Student Murders Long Beach Beginning and Ending with a Line by Michelle Boisseau Playboy A New Syntax
New Poems A Walk in the Park In the Beginning Deal Blue The Summer of 1996 A Step Past Disco In the Rapid Autumn of Libraries Days Wi-Fi The Past Double Life Luck September Containment One Night Stand The Scene Tagged Friday Poem Beginning with a Line by Wayne Koestenbaum Against Metaphor The Turn of the Year from Complaint in the Garden (2004) ? Poem Beginning with a Line by John Ashbery Song Eros Complaint of the Regular Complaint of the Lecturer The Heron The Revival of Vernacular Architecture The Shortened History of Florida The Landscape of Deception Pantoum Evidence Fiduciary The End of the Last Summer from Breakfast with Thom Gunn (2009) Early Morning on Market Street Politics Queen Christina The Mortician in San Francisco Bernal Hill Ruin Last Call The End of Landscape Syntax Breakfast with Thom Gunn Ovid in San Francisco The Long View N Ocean Beach Translation Lexington from Straight Razor (2013) The Fall of 1992 Straight Razor Cockroach My Guidance Counselor Stable End Words September Elegies Song Larkin Street Only You Teaser Hyperbole But Enough About Me The Lion’s Mouth Untoward Occurrence at Embassy Suites Poetry Reading American Apparel from Proprietary (2017) Proprietary Nothing Black Box Order Florida Proximity Realtor Halston Leo & Lance Perspective Complaint Dolores Park Alphabet Street Translation Young Republican Almost from A Better Life (2021) A Better Life Florida Again True Blue Rhapsody RSVP Stalking Points Everybody Everybody The Lone Palm Weather Anecdote of an Ex- The Summer Before the Student Murders Long Beach Beginning and Ending with a Line by Michelle Boisseau Playboy A New Syntax
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