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This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse--death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female…mehr

Produktbeschreibung
This innovative study of the use of gender in the Apocalypse of John pushes against the boundaries of feminist biblical interpretation. Based on sociopolitical and literary readings of texts, it presents a challenging new way of reading the Apocalypse. Using the concept of catharsis, Tina Pippin focuses on two themes central to the Apocalypse--death and desire. She examines the role of the female in fantastic literature and reviews the social construction of gender and of the female body. In this interdisciplinary investigation, Pippin incorporates fantasy theory and the function of the female in the fantastic to expose the Apocalypse's ambiguous representation of women.
Autorenporträt
Tina Pippin is the Wallace M. Alston Professor of Bible and Religion at Agnes Scott College in Decatur, Georgia. She was a member of The Bible and Culture Collective (The Postmodern Bible, 1995), the author of Apocalyptic Bodies: The Biblical End of the World in Text and Image (1999) and the co-editor with Cheryl Kirk-Duggan of Mother Goose, Mother Jones, Mommie Dearest: Biblical Mothers and Their Children (2009), along with other publications on apocalyptic and the Bible and film studies. She is an activist-educator and also co-hosts a radical pedagogy podcast with Lucia Hulsether, Nothing Never Happens, at https://nothingneverhappens.org/.