Reveals the ambivalent place of death in 20th and 21st century culture: the ongoing split between its over- and under-statement, between its cold realities and its fantastical, transcendental and, most importantly, strategic depictions. This book examines the formal, psychological and political exchange between cinema and death.
Reveals the ambivalent place of death in 20th and 21st century culture: the ongoing split between its over- and under-statement, between its cold realities and its fantastical, transcendental and, most importantly, strategic depictions. This book examines the formal, psychological and political exchange between cinema and death.
Michele Aaron is Senior Lecturer in American and Canadian Studies at the University of Birmingham.
Inhaltsangabe
Introduction: Everywhere and Nowhere Part I: Before - Flirting with Death 1. Self-endangerment and the Subject of Film 2. Cinema and Suicide; 3. Sacrifice and Spectatorship in Context Part II: During - Depicting Death 4. The Cinematic Language of Dying 5. Grammar Lessons: Dying and Difference 6. Watching Others Die: Spectatorship, Vulnerability, and the Ethics of Being Moved Part III After - Responding to Death 7. At Last: Towards a Cinema of No Return Notes Bibliography Filmography Index
Introduction: Everywhere and Nowhere Part I: Before - Flirting with Death 1. Self-endangerment and the Subject of Film 2. Cinema and Suicide; 3. Sacrifice and Spectatorship in Context Part II: During - Depicting Death 4. The Cinematic Language of Dying 5. Grammar Lessons: Dying and Difference 6. Watching Others Die: Spectatorship, Vulnerability, and the Ethics of Being Moved Part III After - Responding to Death 7. At Last: Towards a Cinema of No Return Notes Bibliography Filmography Index
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