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This edited collection explores the reception of dead rock stars, 'rock' being taken in the widest sense. When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print med

Produktbeschreibung
This edited collection explores the reception of dead rock stars, 'rock' being taken in the widest sense. When music artists die, their fellow musicians, producers, fans and the media react differently, and this book brings together their intertwining modalities of reception. The commercial impact of death on record sales, copyrights, and print med
Autorenporträt
Catherine Strong lectures in the Music Industry Program at RMIT University, Melbourne, Australia. She is the author of Grunge: Music and Memory (Ashgate, 2011), and Chair of IASPM Australia-New Zealand branch. Her research focuses on memory, heritage and gender in relation to popular music. Barbara Lebrun is Senior Lecturer in French Studies at the University of Manchester, UK. Her first book, Protest Music in France (Ashgate, 2009), won the 2011 IASPM prize for Best Anglophone Monograph, and she is the editor of Chanson et Performance (2012).