Death Day - Passfield, John
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On March 19, 1937, world-renowned Soviet film-maker, Sergei Eisenstein, appears before the All-Union Creative Conference of Workers in Soviet Cinematography, accused of having failed to create films which reflect the social and political orthodoxy of the Stalinist regime. Reeling from an unrelenting barrage of questions, accusations and threats, the film-maker struggles to respond to the dilemma which is faced by all artists in totalitarian states: how to reconcile one's freedom of imagination and creativity with the conformity to the artistically-stifling orthodoxy which is demanded by the…mehr

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Produktbeschreibung
On March 19, 1937, world-renowned Soviet film-maker, Sergei Eisenstein, appears before the All-Union Creative Conference of Workers in Soviet Cinematography, accused of having failed to create films which reflect the social and political orthodoxy of the Stalinist regime. Reeling from an unrelenting barrage of questions, accusations and threats, the film-maker struggles to respond to the dilemma which is faced by all artists in totalitarian states: how to reconcile one's freedom of imagination and creativity with the conformity to the artistically-stifling orthodoxy which is demanded by the rulers of society? His response is an example of the ingenuity which is often displayed by artists in repressive societies.
Autorenporträt
John Passfield was born in St. Thomas, Ontario, Canada, and continues to reside in Southern Ontario, near Cayuga, with his family. He is interested in exploring the development of the novel as an art-form in a search for a form for the poetic novel of our time. He has published almost thirty novels, and his planning notebooks and journals are available for free access on his website, johnpassfield.ca. His novel John Passfield: Saturday Morning was shortlisted for the ReLit award in 2022. He has posted more than one hundred readings on YouTube, each of which presents a passage from one of his novels and a comment on an aspect of the craft of novel-writing.