Shanghai, 1928. The body of a blonde is washed up on the Beach of Dead Babies, in the heart of the smog-filled city. Seemingly a suicide, a closer inspection reveals a darker motive: the corpse has been weighed down, itâ s lower half mutilatedâ and the Chinese character for â justiceâ carved into the chest.
Shanghai, 1928. The body of a blonde is washed up on the Beach of Dead Babies, in the heart of the smog-filled city. Seemingly a suicide, a closer inspection reveals a darker motive: the corpse has been weighed down, itâ s lower half mutilatedâ and the Chinese character for â justiceâ carved into the chest.
Martin has spent most of his adult life writing in one form or another. As a University researcher in history, he wrote pages of notes on reams of obscure topics. As a social worker with Vietnamese refugees, he wrote memoranda. And, as the creative director of an advertising agency, he has written print and press ads, tv commercials, short films and innumerable backs of cornflake packets and hotel websites. He has spent 25 years of his life working outside the North of England. In London, Hong Kong, Taipei, Singapore, Bangkok and Shanghai, winning awards from Cannes, One Show, D&AD, New York and London Festivals, and the United Nations. When he's not writing, he splits his time between the UK and Asia.
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