A record of daily bewilderments and accidental concessions to hope after a momentous loss, featuring John Waters, Divine, and Mad King Ludwig II of Bavaria (the 'Swan King'), in this powerful follow-up to Joyelle McSweeney's award-winning collection Toxicon & Arachne
A record of daily bewilderments and accidental concessions to hope after a momentous loss, featuring John Waters, Divine, and Mad King Ludwig II of Bavaria (the 'Swan King'), in this powerful follow-up to Joyelle McSweeney's award-winning collection Toxicon & ArachneHinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
A recipient of a 2022 Guggenheim Fellowship for Poetry, Joyelle McSweeney's published works span poetry, prose, drama, translation, and criticism. Her debut volume The Red Bird (2001) inaugurated the Fence Modern Poets Series; her verse play DeadYouth, or the Leaks (2012) inaugurated the Leslie Scalapino Prize for Innovative Women Playwrights; and her most recent double-collection, her co-translation with Jack Jung, Don Mee Choi, and Sawako Nakayasu of Yi Sang's Selected Works received numerous recognitions, including the 2021 MLA Aldo and Jeanne Scaglione Prize for a Translation of Literary Work. Her influential volume The Necropastoral: Poetry, Media, Occults (2014) counters conventional ecopoetics by locating aesthetic and political possibility in such signature Anthropocene phenomena as mutation, contagion, contamination, and decay. McSweeney is a Professor of English at the University of Notre Dame.
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