Anthony Pinn examines how hip hop artists challenge white supremacist definitions of Blackness by challenging white distinctions between life and death.
Anthony Pinn examines how hip hop artists challenge white supremacist definitions of Blackness by challenging white distinctions between life and death.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anthony B. Pinn is the Agnes Cullen Arnold Professor of Humanities and Professor of Religious Studies at Rice University. He is the author or editor of seventeen books including African American Humanist Principles: Living and Thinking Like the Children of Nimrod (Palgrave Macmillan, 2004) and Terror and Triumph: The Nature of Black Religion (Fortress, 2003). Gregory M. T. Colleton is a screenwriter, actor, and director. Born in Evanston, Illinois, Colleton attended Macalester College and later joined the Teach for America program, where he taught composition, history, and violin to middle-school kids while spreading the gospel of Michael Jordan. He resides in Los Angeles but dreams of living back near the Windy City.
Inhaltsangabe
Acknowledgments ix Introduction. Paradigms of Death (or Life) and Deathlife 1 Part I. Signifying Deathlife 1. The Orphic Hustler 45 2. The Anithero 73 Part II. Consuming Deathlife 3. Bacchic Intent 97 4. Zombic Hunger 125 Epilogue. Two Types of Melancholia 149 Notes 165 Discography 201 Bibliography 207 Index 223
Acknowledgments ix Introduction. Paradigms of Death (or Life) and Deathlife 1 Part I. Signifying Deathlife 1. The Orphic Hustler 45 2. The Anithero 73 Part II. Consuming Deathlife 3. Bacchic Intent 97 4. Zombic Hunger 125 Epilogue. Two Types of Melancholia 149 Notes 165 Discography 201 Bibliography 207 Index 223
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