Debussy's Critics reframes a formative moment in European modernism, exploring the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences around the turn of the twentieth century, and uncovering significant connections between musical culture and contemporary understandings of affect, perception, and cognition.
Debussy's Critics reframes a formative moment in European modernism, exploring the music of Claude Debussy and its early reception in light of the rise of the empirical human sciences around the turn of the twentieth century, and uncovering significant connections between musical culture and contemporary understandings of affect, perception, and cognition.
Alexandra Kieffer is Assistant Professor of Musicology at Rice University. She received her Ph.D. from Yale University in 2014 and spent the 2014-2015 academic year as an Andrew W. Mellon Postdoctoral Fellow in the Humanities at Stanford University. Her work explores intersections between musical culture and physiologies of affect, listening, and sensation in Belle Époque France.
Inhaltsangabe
Introduction Chapter 1: Wagnérisme and the Aesthetic of Sentiment Chapter 2: Pelléas et Mélisande and the Aesthetic of Sensation Chapter 3: Marnold: Music as Epistemology Chapter 4: Laloy: Music as Truth Chapter 5: Rewriting Modernism
Introduction Chapter 1: Wagnérisme and the Aesthetic of Sentiment Chapter 2: Pelléas et Mélisande and the Aesthetic of Sensation Chapter 3: Marnold: Music as Epistemology Chapter 4: Laloy: Music as Truth Chapter 5: Rewriting Modernism
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