Debussy's Ibéria - Brown, Matthew
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This book suggests ways in which Debussy's sketches and drafts may be used to explain how he composed one of his last great symphonic scores: Iberia (from mages for orchestra, 1903-10). Part 1 shows how we might understand the process of musical composition as a form of expert problem solving; Part 2 reconstructs the genesis of each of the three movements in turn.

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Produktbeschreibung
This book suggests ways in which Debussy's sketches and drafts may be used to explain how he composed one of his last great symphonic scores: Iberia (from mages for orchestra, 1903-10). Part 1 shows how we might understand the process of musical composition as a form of expert problem solving; Part 2 reconstructs the genesis of each of the three movements in turn.
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Autorenporträt
Born in London, Matthew Brown studied at the Royal College of Music Preparatory Division and later at King's College London. He pursued a Ph.D. in musicology at Cornell University. From 1983-1986 he was a junior fellow at Harvard University. Since then, he has taught musicology at the Eastman School of Music and theory at Louisiana State University. He has served on the council of the American Musicological Society and the executive board of the Society for Music Theory. He is currently Associate Professor of Music Theory at the Eastman School of Music.