Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
Some of Debussy's most beloved pieces, as well as lesser-known ones from his early years, set in a rich cultural context by leading experts from the English- and French-speaking worlds.
Introduction Francois de Medicis and Steven Huebner PART 1. HISTORIOGRAPHICAL AND EDITORIAL ISSUES Debussy Fifty Years Later: Has the Barrel Run Dry? Richard Langham Smith The Oeuvres complètes de Claude Debussy Thiry Years On Roy Howat The Kunkelmann Manuscripts: New Sources for Early Mélodies by Claude Debussy Denis Herlin "Paysage sentimental": "Si doux, si triste, si dormant . . ." David Grayson PART 2. STYLE AND GENRE The "Song Triptych": Reflections on a Debussyan Genre David J. Code Composing after Wagner: The Music of Bruneau and Debussy, 1890 1902 Francois de Medicis Between Massenet and Wagner Steven Huebner Debussy's Concept of Orchestration Robert Orledge Oriental and Iberian Resonances in Early Debussy Songs Marie Rolf PART 3. HISTORY AND HERMENEUTICS Debussy and Japanese Prints Michel Duchesneau "Les sons . . . tournent": Debussy, the Waltz, and Embodied Hermeneutics August Sheehy Secrets and Lies, or the Truth About Pelléas Katherine Bergeron Vertige!: Debussy, Mallarmé, and the Edge of Language Julian Johnson PART 4. THEORETICAL ISSUES Follow the Leader: Debussy's Contrapuntal Games Matthew Brown Debussy's Absolute Pitch: Motivic Harmony and Choise of Keys Mark DeVoto Debussy's G#/Ab Complex: The Adventures of a Pitch Class from the Suite bergamasque to the Douze études Boyd Pomeroy The Games of Jeux Mark McFarland PART 5. PERFORMANCE AND RECEPTION Debussy and Late Romantic Performing Practices: The Piano Rolls of 1912 Jocelyn Ho Marius François Gaillard's Debussy: Controversies and Pianistic Legacy Caroline Rae Fashioning Early Debussy in Interwar France Barbara L. Kelly List of Contributors Index
Introduction Francois de Medicis and Steven Huebner PART 1. HISTORIOGRAPHICAL AND EDITORIAL ISSUES Debussy Fifty Years Later: Has the Barrel Run Dry? Richard Langham Smith The Oeuvres complètes de Claude Debussy Thiry Years On Roy Howat The Kunkelmann Manuscripts: New Sources for Early Mélodies by Claude Debussy Denis Herlin "Paysage sentimental": "Si doux, si triste, si dormant . . ." David Grayson PART 2. STYLE AND GENRE The "Song Triptych": Reflections on a Debussyan Genre David J. Code Composing after Wagner: The Music of Bruneau and Debussy, 1890 1902 Francois de Medicis Between Massenet and Wagner Steven Huebner Debussy's Concept of Orchestration Robert Orledge Oriental and Iberian Resonances in Early Debussy Songs Marie Rolf PART 3. HISTORY AND HERMENEUTICS Debussy and Japanese Prints Michel Duchesneau "Les sons . . . tournent": Debussy, the Waltz, and Embodied Hermeneutics August Sheehy Secrets and Lies, or the Truth About Pelléas Katherine Bergeron Vertige!: Debussy, Mallarmé, and the Edge of Language Julian Johnson PART 4. THEORETICAL ISSUES Follow the Leader: Debussy's Contrapuntal Games Matthew Brown Debussy's Absolute Pitch: Motivic Harmony and Choise of Keys Mark DeVoto Debussy's G#/Ab Complex: The Adventures of a Pitch Class from the Suite bergamasque to the Douze études Boyd Pomeroy The Games of Jeux Mark McFarland PART 5. PERFORMANCE AND RECEPTION Debussy and Late Romantic Performing Practices: The Piano Rolls of 1912 Jocelyn Ho Marius François Gaillard's Debussy: Controversies and Pianistic Legacy Caroline Rae Fashioning Early Debussy in Interwar France Barbara L. Kelly List of Contributors Index
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