The first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power.
The first substantial study of multilingual film in France. Unpacking the power dynamics at play in the dialogue of eight emblematic films, this book argues that many contemporary French films take a new approach to language and power.
Gemma King is Lecturer in French Studies at the Australian National University
Inhaltsangabe
List of figures 1 Introduction 2 A brief history of multilingualism in French cinema 3 Decentred perspectives: case studies 4 Capital centres: Polisse and Entre les murs 5 Urban margins: Un prophète and Dheepan 6 Coastal borders: Welcome and La Graine et le mulet 7 International spaces: London River and Des hommes et des dieux 8 Conclusion Appendices Filmography Index
List of figures 1 Introduction 2 A brief history of multilingualism in French cinema 3 Decentred perspectives: case studies 4 Capital centres: Polisse and Entre les murs 5 Urban margins: Un prophète and Dheepan 6 Coastal borders: Welcome and La Graine et le mulet 7 International spaces: London River and Des hommes et des dieux 8 Conclusion Appendices Filmography Index
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