This book focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics; post-nationalism and gender; non-Western ecologies; trauma and memory; diasporic experiences of space; biopolitics; and decolonial temporalities.
This book focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics; post-nationalism and gender; non-Western ecologies; trauma and memory; diasporic experiences of space; biopolitics; and decolonial temporalities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Kristin Lené Hole is Associate Professor of Film Studies in the School of Film at Portland State University, USA. She is the author of Towards a Feminist Cinematic Ethics: Claire Denis, Emmanuel Levinas, and Jean-Luc Nancy.
Inhaltsangabe
Chapter 1 Introduction- Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics Chapter 2 Ghosts and Echoes: Decolonial Historiography in the Films of Jumana Manna Chapter 3 Decolonial Ecologies in Jumana Manna's Wild Relatives (2018) and Foragers (2022) Chapter 4 In the Future Palestine Was...: Larissa Sansour's Dystopian Futurisms Chapter 5 Decolonizing, Deterritorializing: Gaza and Beyond in the films of Basma Alsharif
Chapter 1 Introduction- Decolonial Imaginaries in Palestinian Experimental Film and Video: Postnational and Feminist Aesthetics Chapter 2 Ghosts and Echoes: Decolonial Historiography in the Films of Jumana Manna Chapter 3 Decolonial Ecologies in Jumana Manna's Wild Relatives (2018) and Foragers (2022) Chapter 4 In the Future Palestine Was...: Larissa Sansour's Dystopian Futurisms Chapter 5 Decolonizing, Deterritorializing: Gaza and Beyond in the films of Basma Alsharif
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