Andere Kunden interessierten sich auch für
![Deconstructing Traditional Notions in Translation Studies]( "Deconstructing Traditional Notions in Translation Studies")
Deconstructing Traditional Notions in Translation Studies38,99 €![The Practice of Teachers in Using Short story to teach Reading Skills]( "The Practice of Teachers in Using Short story to teach Reading Skills")
The Practice of Teachers in Using Short story to teach Reading Skills26,99 €![The Desire for Innovation in Arabic Poetry]( "The Desire for Innovation in Arabic Poetry")
The Desire for Innovation in Arabic Poetry32,99 €![The issues of translation studies]( "The issues of translation studies")
The issues of translation studies24,99 €![Teaching of African Literature in the 21st Century]( "Teaching of African Literature in the 21st Century")
Teaching of African Literature in the 21st Century44,99 €![The Practice, Opportunity and Challenges of Active Learning]( "The Practice, Opportunity and Challenges of Active Learning")
The Practice, Opportunity and Challenges of Active Learning26,99 €![Research on the Translation and Dissemination of Chu Ci in the West]( "Research on the Translation and Dissemination of Chu Ci in the West")
Research on the Translation and Dissemination of Chu Ci in the West37,99 €
Deconstructing the Transhistorical: a critique of contemporary productions of The Merchant of Venice discusses four stagings of Shakespeare's playtext observed in three theatrical cultures of the Anglophone world and argues that engaging productions of this script take into account its self-deconstructive character as one of its most crucial ordering principles. The critique draws upon Derrida's Deconstruction, stressing that, according to the acknowledged father of the movement, texts do have transcendental traces. It discusses themes such as anti-Semitism versus ethnic intolerance,homosexuality versus somody, carnivalization, and the representation of emotions.