Susan Naramore Maher is dean of the College of Liberal Arts at the University of Minnesota, Duluth. She is coeditor of Artifacts and Illuminations: Critical Essays on Loren Eiseley (Nebraska, 2012) and Coming into McPhee Country: John McPhee and the Art of Literary Nonfiction .
Susan Naramore Maher is dean of the College of Liberal Arts at the University of Minnesota, Duluth. She is coeditor of Artifacts and Illuminations: Critical Essays on Loren Eiseley (Nebraska, 2012) and Coming into McPhee Country: John McPhee and the Art of Literary Nonfiction .Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Naramore Maher is dean of the College of Liberal Arts at the University of Minnesota, Duluth. She is coeditor of Artifacts and Illuminations: Critical Essays on Loren Eiseley (Nebraska, 2012) and Coming into McPhee Country: John McPhee and the Art of Literary Nonfiction .
Inhaltsangabe
Preface Acknowledgments 1. Deep Mapping the Great Plains: Surveying the Literary Cartography of Place 2. Deep Mapping History: Wallace Stegner's Wolf Willow and William Least Heat-Moon's PrairyErth: (a deep map) 3. Deep Mapping the Biome: The Biology of Place in Don Gayton's The Wheatgrass Mechanism, John Janovy Jr.'s Dunwoody Pond, and Wes Jackson's Becoming Native to This Place 4. Deep Mapping Dimensions: Excavating Time and Space in Loren Eiseley's The Immense Journey and John McPhee's Rising from the Plains 5. Deep Mapping Lived Space: "Layers of Presence" in Julene Bair's One Degree West, Sharon Butala's Wild Stone Heart, and Linda Hasselstrom's Feels Like Far 6. Coda: Spiritual Deep Mapping and Great Plains Vernacular Notes Bibliography Index
Preface Acknowledgments 1. Deep Mapping the Great Plains: Surveying the Literary Cartography of Place 2. Deep Mapping History: Wallace Stegner's Wolf Willow and William Least Heat-Moon's PrairyErth: (a deep map) 3. Deep Mapping the Biome: The Biology of Place in Don Gayton's The Wheatgrass Mechanism, John Janovy Jr.'s Dunwoody Pond, and Wes Jackson's Becoming Native to This Place 4. Deep Mapping Dimensions: Excavating Time and Space in Loren Eiseley's The Immense Journey and John McPhee's Rising from the Plains 5. Deep Mapping Lived Space: "Layers of Presence" in Julene Bair's One Degree West, Sharon Butala's Wild Stone Heart, and Linda Hasselstrom's Feels Like Far 6. Coda: Spiritual Deep Mapping and Great Plains Vernacular Notes Bibliography Index
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