Working from and with countries spanning Latin America, Africa, the Middle East, Asia, Oceania, and Indigenous Nations, the contributors of this collection reflect on the social roles of metal music and stress how it faces oppressive experiences and aims to build a better world.
Working from and with countries spanning Latin America, Africa, the Middle East, Asia, Oceania, and Indigenous Nations, the contributors of this collection reflect on the social roles of metal music and stress how it faces oppressive experiences and aims to build a better world.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Extreme Sounds Studies: Global Socio-Cultural Explorations
Edited by Nelson Varas-Díaz; Jeremy Wallach; Esther Clinton and Daniel Nevárez Araújo - Contributions by Augustinus Aryo Lukisworo; Edward Banchs; Manuela Belén Calvo; Sage Bond; Esther Clinton; Pasqualina Eckerström; Kobi Farhi; Kevin Fellezs; Manuel Gag
Inhaltsangabe
Contents Introduction: Of "Metal" and Metal: A Global South Approach to Metal Studies Daniel Nevárez Araújo, Nelson Varas-Díaz, Jeremy Wallach, and Esther Clinton Section 1: Conceptualizing the Distorted South Chapter 1. Metal Music in the Distorted South: A Call for Defiance and Reflection Nelson Varas-Díaz, Daniel Nevárez Araújo, Jeremy Wallach, and Esther Clinton Section 2: Hope Chapter 2. An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South Susana González-Martínez Chapter 3. Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music Didier Goossens Chapter 4. "A Whole New Type of Isolation": Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020-2021 Anthony J. Thibodeau and Sage Bond Section 3: Social Change Chapter 5. "We Play Heavy Metal because Our Lives Are Heavy Metal": A Generation of Metal in the Middle East and North Africa Mark LeVine Chapter 6. Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies Paula Rowe Chapter 7. Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases Manuela Belén Calvo Section 4: Dialogues Chapter 8. An Interview on Contar/Cantar Memórias da Resistência Susane Hécate (Miasthenia) and Daniel Nevárez Araújo Chapter 9. Misusing Things in Metal Music: A Dialogue Manuel Gagneux (Zeal & Ardor) and Daniel Nevárez Araújo Chapter 10. The Alternative Side of the Frame: A Dialogue on Southern Inspirations Kobi Farhi (Orphaned Land) and Nelson Varas-Díaz Chapter 11. A Dialogue on Metal Festivals and Social Justice Tshomarelo "Vulture" Mosaka (Overthrust) and Edward Banchs Section 5: Diaspora Chapter 12. The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal Kevin Fellezs Chapter 13. "Somewhere They Belong": Metal, Ethnicity, and Scenic Solidarities in Malaysia's Underground Scenes (1990s to 2000s) Azmyl Yusof and Adil Johan Section 6. Transgression Chapter 14. Ancient, Evil, and African: Heavy Metal and Conflict in East Africa Edward Banchs Chapter 15. The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria Pasqualina Eckerström Section 7: Resistance and Community Chapter 16. Decolonizing the Mind's Eye: Images of Resistance in Caribbean Metal Music Nelson Varas-Díaz and Daniel Nevárez Araújo Chapter 17. Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene Oki Rahadianto Sutopo and Agustinus Aryo Lukisworo Chapter 18. Satan Wasn't There: The Perseverance of the Moroccan Metal Scene Amine Hamma and Brian Trott Epilogue: Metal Unbound Esther Clinton, Jeremy Wallach, Nelson Varas-Díaz, and Daniel Nevárez Araújo About the Contributors
Contents Introduction: Of "Metal" and Metal: A Global South Approach to Metal Studies Daniel Nevárez Araújo, Nelson Varas-Díaz, Jeremy Wallach, and Esther Clinton Section 1: Conceptualizing the Distorted South Chapter 1. Metal Music in the Distorted South: A Call for Defiance and Reflection Nelson Varas-Díaz, Daniel Nevárez Araújo, Jeremy Wallach, and Esther Clinton Section 2: Hope Chapter 2. An Exegesis of Excess: Reverberations and Connotations of Feminisms Cartographed via Metal Music in the Global South Susana González-Martínez Chapter 3. Reclaiming Aotearoa: Stories of Experimentation, Education, and Reflection in Aotearoa Indigenous Metal Music Didier Goossens Chapter 4. "A Whole New Type of Isolation": Resilience and Hope in the Navajo Nation Metal Scene during the COVID-19 Pandemic in 2020-2021 Anthony J. Thibodeau and Sage Bond Section 3: Social Change Chapter 5. "We Play Heavy Metal because Our Lives Are Heavy Metal": A Generation of Metal in the Middle East and North Africa Mark LeVine Chapter 6. Youth Activism and Decolonial Metal: Voice of Baceprot and Alien Weaponry as Case Studies Paula Rowe Chapter 7. Coloniality and Gender in the Argentinian Metal Scene: A Study Through Four Cases Manuela Belén Calvo Section 4: Dialogues Chapter 8. An Interview on Contar/Cantar Memórias da Resistência Susane Hécate (Miasthenia) and Daniel Nevárez Araújo Chapter 9. Misusing Things in Metal Music: A Dialogue Manuel Gagneux (Zeal & Ardor) and Daniel Nevárez Araújo Chapter 10. The Alternative Side of the Frame: A Dialogue on Southern Inspirations Kobi Farhi (Orphaned Land) and Nelson Varas-Díaz Chapter 11. A Dialogue on Metal Festivals and Social Justice Tshomarelo "Vulture" Mosaka (Overthrust) and Edward Banchs Section 5: Diaspora Chapter 12. The Ultra-Violence: Death Angel and Asian American Presence/Absence in Heavy Metal Kevin Fellezs Chapter 13. "Somewhere They Belong": Metal, Ethnicity, and Scenic Solidarities in Malaysia's Underground Scenes (1990s to 2000s) Azmyl Yusof and Adil Johan Section 6. Transgression Chapter 14. Ancient, Evil, and African: Heavy Metal and Conflict in East Africa Edward Banchs Chapter 15. The Influence of Different Satanic Panics on the Transgressive Practices of Metal Music in Egypt, Iran, and Syria Pasqualina Eckerström Section 7: Resistance and Community Chapter 16. Decolonizing the Mind's Eye: Images of Resistance in Caribbean Metal Music Nelson Varas-Díaz and Daniel Nevárez Araújo Chapter 17. Nongkrong, Value of Community, and Everyday Resistance in the Indonesian Metal Scene Oki Rahadianto Sutopo and Agustinus Aryo Lukisworo Chapter 18. Satan Wasn't There: The Perseverance of the Moroccan Metal Scene Amine Hamma and Brian Trott Epilogue: Metal Unbound Esther Clinton, Jeremy Wallach, Nelson Varas-Díaz, and Daniel Nevárez Araújo About the Contributors
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