Barbara Kennedy

Deleuze and Cinema

The Aesthetics of Sensation

• Broschiertes Buch

Produktbeschreibung

Film theory has for so long focused on sociological, empirical, and psychoanalytic approaches that aesthetic sensibilities seem to have been forgotten. This book puts the emphasis back on film as an art form. Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days, and Leon, the book offers a new and creative collusion between Deleuzian philosophy -- specifically Deleuze's ideas about desire, pleasure, sensation, affect, and "becoming-woman" -- and contemporary film studies.

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Produktdetails

• Verlag: Edinburgh University Press
• Revised edition
• Seitenzahl: 224
• Erscheinungstermin: 25. September 2002
• Englisch
• Abmessung: 237mm x 156mm x 13mm
• Gewicht: 386g
• ISBN-13: 9780748617265
• ISBN-10: 0748617264
• Artikelnr.: 22168691

Autorenporträt

Barbara Kennedy is Senior Lecturer in Film and Cultural Studies at the University of Staffordshire.

Inhaltsangabe

1 From Micro
politics to Aesthetics 2 From Oedipal Myths... to New Interventions 3 From Abstract Machines to Deleuzian Becomings 4 Constituting Bodies
from Subjectivity and Affect to the Becoming
woman of the Cinematic 5 Towards an Aesthetics of Sensation 6 Orlando
Deleuzian Landscapes of Immanence 7 The English Patient
Deleuzian Landscapes of Immanence 8 Romeo and Juliet
Deleuzian Sensations 9 Strange Days
Deleuzian Sensations 10 Reconfiguring Love... A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child