This book aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds.
This book aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds.
Barbara Kennedy is Senior Lecturer in Film and Cultural Studies at the University of Staffordshire
Inhaltsangabe
1 From Micro politics to Aesthetics 2 From Oedipal Myths... to New Interventions 3 From Abstract Machines to Deleuzian Becomings 4 Constituting Bodies from Subjectivity and Affect to the Becoming woman of the Cinematic 5 Towards an Aesthetics of Sensation 6 Orlando Deleuzian Landscapes of Immanence 7 The English Patient Deleuzian Landscapes of Immanence 8 Romeo and Juliet Deleuzian Sensations 9 Strange Days Deleuzian Sensations 10 Reconfiguring Love... A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child
1 From Micro politics to Aesthetics 2 From Oedipal Myths... to New Interventions 3 From Abstract Machines to Deleuzian Becomings 4 Constituting Bodies from Subjectivity and Affect to the Becoming woman of the Cinematic 5 Towards an Aesthetics of Sensation 6 Orlando Deleuzian Landscapes of Immanence 7 The English Patient Deleuzian Landscapes of Immanence 8 Romeo and Juliet Deleuzian Sensations 9 Strange Days Deleuzian Sensations 10 Reconfiguring Love... A Deleuzian Travesty? Leon and a Molecular Politics via the Girl and the Child
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