Deleuze and Film
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AUTHOR APPROVED "Deleuze and Film presents a rich collection of essays that takes Deleuze's work on cinema out of its dominant Eurocentric corpus. Taking us on an inspiring world tour of film analysis and creative conceptual thinking, this book testifies to the continuing productive generosity of Deleuze's film-philosophy, and includes a dynamic range and depth of film scholarship." Patricia Pisters, Professor of Media and Film Studies, University of Amsterdam "This book testifies to the continuing vitality of Gilles Deleuze's Cinema volumes: they still offer resources to film scholars and…mehr

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Produktbeschreibung
AUTHOR APPROVED "Deleuze and Film presents a rich collection of essays that takes Deleuze's work on cinema out of its dominant Eurocentric corpus. Taking us on an inspiring world tour of film analysis and creative conceptual thinking, this book testifies to the continuing productive generosity of Deleuze's film-philosophy, and includes a dynamic range and depth of film scholarship." Patricia Pisters, Professor of Media and Film Studies, University of Amsterdam "This book testifies to the continuing vitality of Gilles Deleuze's Cinema volumes: they still offer resources to film scholars and theorists today even when they are working on the sorts of films that Deleuze himself never commented on." Steven Shaviro, DeRoy Professor of English, Wayne State University A wide-ranging collection of essays on the film-philosophy of Gilles Deleuze Deleuze and Film explores how different films from around the world 'think' about a range of topics, including history, national identity, geopolitics, ethics, gender, genre, affect, religion, surveillance culture, digital aesthetics and the body. Mapping the global diversity of such cinematic thinking, this book greatly expands upon the range of films discussed in Deleuze's Cinema books. Includes * analysis of several Asian films: Japan's most famous monster movie Godzilla, the colourful Thai western Tears of the Black Tiger, the South Korean road movie Traces of Love, and the Iranian comedy The Lizard * discussion of American film noir, recent European art films such as Red Road and The Lives of Others, and focused studies of directors as diverse as Rainer Werner Fassbinder and Baz Luhrmann * a dedicated chapter on the animated documentary Waltz with Bashir * Hollywood CGI Blockbusters including Hellboy and The Curious Case of Benjamin Button David Martin-Jones is Senior Lectur
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Autorenporträt
David Martin-Jones is Professor of Film Studies at the University of Glasgow William Brown is a Senior Lecturer in Film at the University of Roehampton, London. He is the author of various books, including Non-Cinema: Global Digital Filmmaking and the Multitude (Bloomsbury, 2018) and Supercinema: Film-Philosophy for the Digital Age (Berghahn, 2013). He is also a maker of micro-budget films, including En Attendant Godard (2009), Selfie (2014) and This is Cinema (2019).