A comprehensive user's guide to Deleuze's important work on cinema. Bogue provides a clar and accessible manual to Cinema I and II, and gives readers the background and exposition they need to work through Deleuze's most complex ideas, most obscure references, and densest passages. First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
A comprehensive user's guide to Deleuze's important work on cinema. Bogue provides a clar and accessible manual to Cinema I and II, and gives readers the background and exposition they need to work through Deleuze's most complex ideas, most obscure references, and densest passages.First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Abbreviations Introduction 1. Bergson and Cinema Deleuze's Bergson Three Bergsonian Theses on Movement Image, Movement, Matter, Light The Three Movement-Images 2. Frame, Shot and Montage Frame and Shot Montage: Organic and Dialectic Montage: Quantitative and Intensive 3. Eighteen Signs (More or Less) Pierce and Signs The Perception-Image The Affection-Image The Impulse-Image The Action-Image The Reflection-Image The Relation-Image 4. Hyalosigns: Crystals of Time Opsigns Mnemosigns and Onirosigns Hyalosigns Crystalline States 5. Chronosigns: The Order of Time and Time as Series Sheets of the Past, Peaks of the Present Robbe-Grillet, Welles and Resnais Powers of the False Rouch's Ethnofictions Bodies and Categories 6. Noosigns and Lectosigns: Images and Thought, Sight and Sound The Classic Image of Thought The Thought of the Outside The Spiritual Automaton Silent and Audible Lectosigns The Modern Lectosign A Note on Cinema, Theater and Television Conclusion Works Cited
List of Abbreviations Introduction 1. Bergson and Cinema Deleuze's Bergson Three Bergsonian Theses on Movement Image, Movement, Matter, Light The Three Movement-Images 2. Frame, Shot and Montage Frame and Shot Montage: Organic and Dialectic Montage: Quantitative and Intensive 3. Eighteen Signs (More or Less) Pierce and Signs The Perception-Image The Affection-Image The Impulse-Image The Action-Image The Reflection-Image The Relation-Image 4. Hyalosigns: Crystals of Time Opsigns Mnemosigns and Onirosigns Hyalosigns Crystalline States 5. Chronosigns: The Order of Time and Time as Series Sheets of the Past, Peaks of the Present Robbe-Grillet, Welles and Resnais Powers of the False Rouch's Ethnofictions Bodies and Categories 6. Noosigns and Lectosigns: Images and Thought, Sight and Sound The Classic Image of Thought The Thought of the Outside The Spiritual Automaton Silent and Audible Lectosigns The Modern Lectosign A Note on Cinema, Theater and Television Conclusion Works Cited
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