List of Abbreviations Introduction Part I: Music 1. Music Naturans:
Deterritorializing the Refrain Music and Cosmos in Antiquity Rhythm and the
Refrain From Milieus to Territories Messiaen and the Composition of Time
The Music of the Birds 2. Music in Time: History and Becoming
Becoming-Woman, Becoming-Child Transverse Becomings of Musical Invention
Classical Form, Romantic Variation The Problem of the People Varèse and the
Modern Sound Machine Cosmic People and the Problem of Discernibility 3.
Natura Musicians: Territory and the Refrain Ethology and Territoriality Von
Uexküll and Musical Milieus Ruyer and the Melodies of Developmental Biology
Structural Coupling and Natural Drift Function and Aesthetics The
Autonomous Refrain Part II: Painting 4. Faces Hand and Mouth, Tool and Face
Regimes of Signs and the Faces of Power White Wall, Black Hole The Abstract
Machine of Faciality The Face and the Gaze From the Gaze to the Face
Deterritorializing the Face Primitive Heads, Christ-Face, Probe-Heads 5.
Forces The Figural Systole and Diastole The Brutality of Fact Forces 6.
Color Analogical Modulation Haptic and Optic Ground and Foundation Excursus
on the Gothic Line Haptic Colorism Analog Diagrammatic Modulation Part III:
The Arts 7. Sensation and the Plane of Composition Sensation Plane of
Immanence, Plane of Composition Virtual and Possible Conclusion Specific
Domains Elective Affinities Works Cited
