""I'm staying among strangers," Susan Cohen declares in the "Letter Home" that opens her new volume of poems. A page or two later, in a description of two people viewing a painting, "our heads bent / to the same work of understanding the world," she admits "Still, I have no idea what you are seeing." This sense of isolation and detachment, and the corresponding longing for place and connection, run through these poems, which weave together several strands of observation. Her background as a science journalist informs several poems reflecting on lessons from "science news": the previously…mehr
""I'm staying among strangers," Susan Cohen declares in the "Letter Home" that opens her new volume of poems. A page or two later, in a description of two people viewing a painting, "our heads bent / to the same work of understanding the world," she admits "Still, I have no idea what you are seeing." This sense of isolation and detachment, and the corresponding longing for place and connection, run through these poems, which weave together several strands of observation. Her background as a science journalist informs several poems reflecting on lessons from "science news": the previously unknown glow of amphibians illuminating "how much we cannot see, and yet we stomp everywhere," while the lost legs of ancient snakes remind us "some prospect is no longer within reach." She envies the jellyfish for "living without architecture, outside of history." Yet she also writes love poems from the vantage of long marriage, and studies Yiddish as a way back into memory, heritage, and history. And yes, she surveys the contemporary horrors of school shootings, racial violence, and environmental catastrophe, but reserves her most important lesson for her closing image, which also furnished the book with its title: amidst the ruins of yet another California forest fire, she observes how "the flames choose what to burn / in this raging democracy of fire," leaving the survivors to set aside their differences in recognition of their "shared citizenship of flesh. / Here's to the live and kicking, / those with hungers and with thirsts.""--Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Susan Cohen is the author of two chapbooks and two previous full-length collections of poems, as well as co- author of a non-fiction book. She was a newspaper reporter, contributing writer to the Washington Post Magazine, and faculty member of the University of California Graduate School of Journalism before studying bioethics and poetry at Stanford University while on a John S. Knight fellowship for mid-career journalists. Her numerous journalism honors include a grant from the Fund for Investigative Reporting and two Science in Society Awards from the National Association of Science Writers. In 2013, she turned her full writing attention to poetry and earned an MFA from Pacific University. Her second full-length collection, A DIFFERENT WAKEFUL ANIMAL, won the 2015 David Martinson-Meadowhawk prize from Red Dragonfly Press and she's received recognition for many of her individual poems, including the Rita Dove Poetry Award from the Center for Women Writers, Harpur Palate's Milton Kessler Memorial Poetry Prize, the Red Wheelbarrow Prize, and the Annual Poetry Prize from Terrain.org. Her work has appeared in the Atlanta Review 25th Anniversary Anthology, Bloomsbury Anthology of Contemporary Jewish American Poetry, Los Angeles Review, Northwest Review, Prairie Schooner, Southern Humanities Review, Southern Review, Tar River Review, 32 Poems and dozens of other publications. She lives in Berkeley, California.
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