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Depressive metal musicians and fans are a new and culturally specific community that is both musically and ideologically exclusive. The present book attempts to reveal this phenomenon, and it proceeds with an analysis of the features of the global depressive metal subculture intended to identify the cultural elements and social relations that may enable a conceptualization of its character. It discusses the perspectives, artistic creations, and cultural constructions of this subculture with an emic anthropological orientation, and it also attempts to describe the sub-cultural expression and the informal social organization of depressive metal musicians and fans within the context of globalization and in relation to the broader metal music culture as well as the more general contemporary society.