Rushing explores how the very tactile modes of representation cement the genre's ideological grip on the viewer.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robert A. Rushing is Associate Professor of Italian and Comparative Literature at the University of Illinois, Urbana-Champaign, where he also holds affiliate appointments in Media and Cinema Studies and the Unit for Criticism and Interpretive Theory. He is author of Resisting Arrest: Detective Fiction and Popular Culture and co-editor of Mad Men, Mad World: Sex, Politics, Style, and the 1960s.
Inhaltsangabe
Acknowledgements A Note on Film Titles and Foreign Language Citations Introduction: Descended from Hercules: A Peplum Genealogy 1. Nos Morituri: Time in the Peplum 2. Pre/Post: Sexuality in the Peplum 3. Skin Flicks: The Haptic Peplum 4. Immune Systems: The Peplum as Biopolitical Genre Conclusion: Biopolitical Fantasy Filmography Works Cited Index
Acknowledgements A Note on Film Titles and Foreign Language Citations Introduction: Descended from Hercules: A Peplum Genealogy 1. Nos Morituri: Time in the Peplum 2. Pre/Post: Sexuality in the Peplum 3. Skin Flicks: The Haptic Peplum 4. Immune Systems: The Peplum as Biopolitical Genre Conclusion: Biopolitical Fantasy Filmography Works Cited Index
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