Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalization and urbanization. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms…mehr
Design Roots provides a comprehensive review of culturally significant designs, products and practices which are rooted to particular communities through making tradition and a sense of place. Many rich traditional practices associated with community, tacit knowledge and culture are being rapidly lost due to globalization and urbanization. Yet they have much to offer for the future in terms of sustainability, identity, wellbeing and new opportunities in design. This book considers the creative roots, the place-based ecologies, and deep understandings of cultural significance, not only in terms of history and tradition but also in terms of locale, social interactions, innovation, and change for the sustainment of culturally significant material productions. Importantly, these are not locked in time by sentimentality and nostalgia but are evolving, innovative, and adaptive to new technologies and changing circumstances. Contributing authors explore the historical roots of culturally significant designs, products and practices, emerging directions, amateur endeavours, enterprise models, business opportunities and the changing role and contribution of design in the creation of material cultures of significance, meaning and value. An international perspective is provided through case studies and research from North and South America, Africa, Europe, Asia and Australasia, with examples including Aran jumper production in Northern Ireland, weaving in Thailand, Iranian housing design, Brazilian street design and digital crafting in the United Kingdom.
Stuart Walker is Professor of Design for Sustainability at Lancaster University, UK. Martyn Evans is Professor of Design at Manchester Metropolitan University, UK. Tom Cassidy is Chair of Design at the University of Leeds, UK. Jeyon Jung is Research Associate at Lancaster University, UK. Amy Twigger Holroyd is Associate Professor of Fashion and Sustainability at Nottingham Trent University, UK.
Inhaltsangabe
Editorial Introduction Stuart Walker (Lancaster University UK) Part I Introduction: Culturally Significant Designs Products and Practices Martyn Evans (Manchester Metropolitan University UK) 1. Creative Ecologies: Contextualising Culturally Significant Designs Products and Practices Jeyon Jung and Stuart Walker (Lancaster University UK) 2. Forging New Futures: Cultural Significance Revitalisation and Authenticity Amy Twigger Holroyd (Nottingham Trent University UK) 3. Culturally Significant Artefacts and Their Relationship to Tradition and Sustainability Stuart Walker (Lancaster University UK) 4. Making and its Cultural Ecological Foundations Patrick Dillon (University of Exeter UK) Part II Introduction: Authenticity and Tradition in Material Culture Amy Twigger Holroyd (Nottingham Trent University UK) 5. The Aran Jumper Siún Carden (University of the Highlands and Islands UK) 6. Chok Weaving and Textile Enterprises from Northern Thailand Disaya Chudasri (Lancaster University UK) 7. Oltu-Stone Prayer Beads: A Journey into the Art of Carving Tasbih Hazal Gümüs Çiftçi (Lancaster University UK) 8. The Mian Sara: Traditional Iranian Homes and Sustainability Poone Yazdanpanah and Stuart Walker (Lancaster University UK) 9. IKEA: Mass-produced National Design Identity Sara S. Kristoffersson (Konstfack University College Sweden) Part III Introduction: Revitalisation by Design Tom Cassidy (University of Leeds UK) 10. Culture as a Resource for a Sustainable Future in Indigenous Communities: Strengthening Atikamekw Identity and Economics through Design Anne Marchand Karine Awashish Christian Coocoo Solen Roth Renata Marques Leitão Cédric Sportes and Caoimhe Isha Beaulé (University of Montreal Canada) 11. Transforming Tradition in Indonesia: A Method for Maintaining Tradition in a Craft and Design Context Adhi Nugraha (Aalto University Finland) 12. New Translations of South Korean Patterns Meong Jin Shin (University of Leeds UK) 13. Revitalisation by Design Sebastian Cox (Sebastian Cox Ltd UK) 14. New Caribbean Design: Revitalising Place-based Products Patty Johnson (Patty Johnson Design Canada) Part IV Introduction: Enterprise Policy and Education for Positive Development Jeyon Jung (Lancaster University UK) 15. Sustaining Culturally Significant Designs Products and Practices: Lessons from the Hohokam Jacques Giard (Arizona State University USA) 16. Accidents Intentions Movements and Makers: Artisan Economy in Portland Oregon USA Steven Marotta Austin Cummins and Charles Heying (Portland State University USA) 17. The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia Sirpa Kokko (University of Helsinki Finland) 18. The Challenge of Intellectual Property Rights for Culturally Significant Patterns Products and Processes Tom Cassidy and Tracy Diane Cassidy (University of Leeds UK) 19. The Case of the City Different: The Intersection of the Museum the Artist and the Marketplace Marsha C. Bol ( Carnegie Museum of Natural History USA) Part V Introduction: Design Futures Stuart Walker (Lancaster University UK) and Martyn Evans ( Manchester Metropolitan University UK) 20. Research Approaches for Culturally Significant Design Tom Cassidy (University of Leeds UK) 21. Digital Transformations Amateur Making and the Revitalisation of Traditional Textile Crafts Amy Twigger Holroyd (Nottingham Trent University UK) 22. Design for Social Innovators Anna Meroni and Daniela Selloni (Politechnico di Milano Italy) 23. Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting Çagla Dogan (Middle Eastern Technical University Turkey) 24. Designing Authentic Brands: How Designerly Approaches can Craft Authentic Brand Identity Emma Murphy (Glasgow School of Art UK) 25. Strategies for Revitalisation of Culturally Significant Designs Products and Practices Martyn Evans (Manchester Metropolitan University UK) Amy Twigger Holroyd (Nottingham Trent University UK) Stuart Walker and Jeyon Jung (Lancaster University UK) and Tom Cassidy (University of Leeds UK) Index
Editorial Introduction Stuart Walker (Lancaster University UK) Part I Introduction: Culturally Significant Designs Products and Practices Martyn Evans (Manchester Metropolitan University UK) 1. Creative Ecologies: Contextualising Culturally Significant Designs Products and Practices Jeyon Jung and Stuart Walker (Lancaster University UK) 2. Forging New Futures: Cultural Significance Revitalisation and Authenticity Amy Twigger Holroyd (Nottingham Trent University UK) 3. Culturally Significant Artefacts and Their Relationship to Tradition and Sustainability Stuart Walker (Lancaster University UK) 4. Making and its Cultural Ecological Foundations Patrick Dillon (University of Exeter UK) Part II Introduction: Authenticity and Tradition in Material Culture Amy Twigger Holroyd (Nottingham Trent University UK) 5. The Aran Jumper Siún Carden (University of the Highlands and Islands UK) 6. Chok Weaving and Textile Enterprises from Northern Thailand Disaya Chudasri (Lancaster University UK) 7. Oltu-Stone Prayer Beads: A Journey into the Art of Carving Tasbih Hazal Gümüs Çiftçi (Lancaster University UK) 8. The Mian Sara: Traditional Iranian Homes and Sustainability Poone Yazdanpanah and Stuart Walker (Lancaster University UK) 9. IKEA: Mass-produced National Design Identity Sara S. Kristoffersson (Konstfack University College Sweden) Part III Introduction: Revitalisation by Design Tom Cassidy (University of Leeds UK) 10. Culture as a Resource for a Sustainable Future in Indigenous Communities: Strengthening Atikamekw Identity and Economics through Design Anne Marchand Karine Awashish Christian Coocoo Solen Roth Renata Marques Leitão Cédric Sportes and Caoimhe Isha Beaulé (University of Montreal Canada) 11. Transforming Tradition in Indonesia: A Method for Maintaining Tradition in a Craft and Design Context Adhi Nugraha (Aalto University Finland) 12. New Translations of South Korean Patterns Meong Jin Shin (University of Leeds UK) 13. Revitalisation by Design Sebastian Cox (Sebastian Cox Ltd UK) 14. New Caribbean Design: Revitalising Place-based Products Patty Johnson (Patty Johnson Design Canada) Part IV Introduction: Enterprise Policy and Education for Positive Development Jeyon Jung (Lancaster University UK) 15. Sustaining Culturally Significant Designs Products and Practices: Lessons from the Hohokam Jacques Giard (Arizona State University USA) 16. Accidents Intentions Movements and Makers: Artisan Economy in Portland Oregon USA Steven Marotta Austin Cummins and Charles Heying (Portland State University USA) 17. The Role of Higher Education in Sustaining Culturally Significant Crafts in Estonia Sirpa Kokko (University of Helsinki Finland) 18. The Challenge of Intellectual Property Rights for Culturally Significant Patterns Products and Processes Tom Cassidy and Tracy Diane Cassidy (University of Leeds UK) 19. The Case of the City Different: The Intersection of the Museum the Artist and the Marketplace Marsha C. Bol ( Carnegie Museum of Natural History USA) Part V Introduction: Design Futures Stuart Walker (Lancaster University UK) and Martyn Evans ( Manchester Metropolitan University UK) 20. Research Approaches for Culturally Significant Design Tom Cassidy (University of Leeds UK) 21. Digital Transformations Amateur Making and the Revitalisation of Traditional Textile Crafts Amy Twigger Holroyd (Nottingham Trent University UK) 22. Design for Social Innovators Anna Meroni and Daniela Selloni (Politechnico di Milano Italy) 23. Integrated Scales of Design and Production for Sustainability with a Focus on Graduate Design Work in Lighting Çagla Dogan (Middle Eastern Technical University Turkey) 24. Designing Authentic Brands: How Designerly Approaches can Craft Authentic Brand Identity Emma Murphy (Glasgow School of Art UK) 25. Strategies for Revitalisation of Culturally Significant Designs Products and Practices Martyn Evans (Manchester Metropolitan University UK) Amy Twigger Holroyd (Nottingham Trent University UK) Stuart Walker and Jeyon Jung (Lancaster University UK) and Tom Cassidy (University of Leeds UK) Index
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