Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil.
Each architectural design is a new history. To identify what is novel or innovative, we need to consider the present, past and future. We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jonathan Hill is Professor of Architecture and Visual Theory at The Bartlett School of Architecture, UCL, where he directs the MPhil/PhD Architectural Design programme and tutors MArch Unit 12. Jonathan is the author of The Illegal Architect (1998), Actions of Architecture (2003), Immaterial Architecture (2006), Weather Architecture (2012), A Landscape of Architecture, History and Fiction (2016), and The Architecture of Ruins (2019); editor of Occupying Architecture (1998) and Architecture - the Subject is Matter (2001); and co-editor of Critical Architecture (2007).
Inhaltsangabe
Editor's Introduction Architects of Fact and Fiction The Architectural History of Civilisation and My Design Amateurs, Detectives, and Acupuncturists Apartheid's Architects Drawing Together Learning from La Vedette: Reconstructing Viollet-le-Duc's Alpine Study in Lausanne Soft Memory Between the Borders of Utopia: Towards a Construction of Time Explore, Restore, Ignore-Etymology and Continuity in Design A Monument is a Verb: Parallel Geographies, Choreographies, Atmospheres and Other Forms of Monument Final Word
Editor's Introduction Architects of Fact and Fiction The Architectural History of Civilisation and My Design Amateurs, Detectives, and Acupuncturists Apartheid's Architects Drawing Together Learning from La Vedette: Reconstructing Viollet-le-Duc's Alpine Study in Lausanne Soft Memory Between the Borders of Utopia: Towards a Construction of Time Explore, Restore, Ignore-Etymology and Continuity in Design A Monument is a Verb: Parallel Geographies, Choreographies, Atmospheres and Other Forms of Monument Final Word
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