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Design Techniques for Origami Tessellations is both a collection of origami tessellations and a manual to design them.
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Design Techniques for Origami Tessellations is both a collection of origami tessellations and a manual to design them.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- AK Peters/CRC Recreational Mathematics Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 122
- Erscheinungstermin: 9. November 2023
- Englisch
- Abmessung: 276mm x 205mm x 8mm
- Gewicht: 386g
- ISBN-13: 9781032453842
- ISBN-10: 1032453842
- Artikelnr.: 68715399
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- AK Peters/CRC Recreational Mathematics Series
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 122
- Erscheinungstermin: 9. November 2023
- Englisch
- Abmessung: 276mm x 205mm x 8mm
- Gewicht: 386g
- ISBN-13: 9781032453842
- ISBN-10: 1032453842
- Artikelnr.: 68715399
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Yohei Yamamoto is a researcher of Information and Systems at University of Tsukuba. He received his Ph.D. in engineering from the University of Tsukuba in 2023. He has been in the present post since April of the same year. His research interests center on origami design and geometric modeling techniques. The origami artworks created by him have features that are geometric flat shapes. In addition to his research activities, he is actively involved in outreach activities such as the sale of his works and the organization of workshops. Jun Mitani is a professor of Information and Systems at University of Tsukuba. He received his Ph.D. in engineering from the University of Tokyo in 2004. He has been in the present post since April 2015. His research interests center on computer graphics, particularly geometric modeling techniques and their application to origami design. The origami artworks created by him have features that are three-dimensional shapes with smooth curved surfaces. His main books are 3D Origami Art (2016) and Curved-Folding Origami Design (2019). In 2010, through an exchange with Issey Miyake, he contributed to the launch of the new 132.5 fashion brand. He also cooperated in the design of origami used in the movies "Shin Godzilla (2016)" and "Death Note Light up the NEW world (2016)". His unique origami has been well received around the world and he has received invitations to hold workshops and exhibitions in Germany, Switzerland, Italy, Israel and many other countries. His work had inspired the design of the trophy for the Player of the Match winner of each game at the Rugby World Cup 2019. He was appointed as a Japan Cultural Envoy from the Agency for Cultural Affairs and traveled to eight Asian countries to promote cultural exchanges through origami in 2019.
0. Origami and Traditional Tessellation Patterns. 0.1. Background of
Origami Tessellations. 0.2 Crease Patterns. 0.3 Basic Geometry of
Flat-Foldable Crease Patterns. 0.4 Folded State of Crease Patterns. 0.5
Patterns for Twist-Folding. 0.6 Tessellations. 0.7. Tips for Making
Beautiful Folds. 1.Folding on Square Grid. 1.1. Square Twist-Patterns. 1.2.
Isosceles Right Triangle Twist Pattern. 1.3. Checker Base. 1.4. Changing
folded shape. 1.5. Crease patterns as connectable tile. Appendix 1: Pixel
Arts Composed of Origami Tessellation. 2. Folding on Equilateral Triangle
Grid. 2.1. Equilateral Triangle Twist-Patterns. 2.2. Regular Hexagon
Twist-Patterns. 2.3. Right Triangle Twist-Patterns. Column 1: Grid and
Twist Pattern. 3. Connecting Triangle Twist Patterns. 3.1. Creating
Triangle Twist Patterns. 3.2. Connecting Triangle Twist Patterns. 3.3.
Design for Regular Polygon Patterns. Column 02: How to use Triangle Twist
Pattern Maker. Appendix 2: Changing Length of Pleat Base. 4.Connecting of
Different Base Parts. 4.1. Connectable Side of Boundary. 4.2. Regular
Tessellations. 4.3. Tessellation with Equilateral Polygons. 4.4. Combining
Crease Patterns Having Different Guide Sides. Appendix 3: Condition that
Boundaries are Folded into Similar Shape. 5. Generating Aesthetic Origami
Tessellations. 5.1. Origami Tessellations Regarding as Positive-Negative
Pattern. 5.2. Parallel Moving Faces by Flat Folding. 5.3. Design for
Origami Tessellations Regarding as Positive-Negative Pattern. Appendix 4:
Deformation of crease pattern using pleat bases. 6. Folding Bellows. 6.1.
Folding Parallel Lines. 6.2. Bent Bellows. 6.3. Periodic Bellows. 6.4.
Bending Irregular Bellows. Column 03: Origami Tessellation Design Software
"Tess". 7. Application of Twist Pattern Design Method. 7.1. Reconstructing
Guide from Given Origami Tessellation. 7.2. Fractal Origami Tessellations
and Guides. 7.3. Guide with Gaps. Column 4: Connecting 3D Origami Arts and
Origami Tessellations.
Origami Tessellations. 0.2 Crease Patterns. 0.3 Basic Geometry of
Flat-Foldable Crease Patterns. 0.4 Folded State of Crease Patterns. 0.5
Patterns for Twist-Folding. 0.6 Tessellations. 0.7. Tips for Making
Beautiful Folds. 1.Folding on Square Grid. 1.1. Square Twist-Patterns. 1.2.
Isosceles Right Triangle Twist Pattern. 1.3. Checker Base. 1.4. Changing
folded shape. 1.5. Crease patterns as connectable tile. Appendix 1: Pixel
Arts Composed of Origami Tessellation. 2. Folding on Equilateral Triangle
Grid. 2.1. Equilateral Triangle Twist-Patterns. 2.2. Regular Hexagon
Twist-Patterns. 2.3. Right Triangle Twist-Patterns. Column 1: Grid and
Twist Pattern. 3. Connecting Triangle Twist Patterns. 3.1. Creating
Triangle Twist Patterns. 3.2. Connecting Triangle Twist Patterns. 3.3.
Design for Regular Polygon Patterns. Column 02: How to use Triangle Twist
Pattern Maker. Appendix 2: Changing Length of Pleat Base. 4.Connecting of
Different Base Parts. 4.1. Connectable Side of Boundary. 4.2. Regular
Tessellations. 4.3. Tessellation with Equilateral Polygons. 4.4. Combining
Crease Patterns Having Different Guide Sides. Appendix 3: Condition that
Boundaries are Folded into Similar Shape. 5. Generating Aesthetic Origami
Tessellations. 5.1. Origami Tessellations Regarding as Positive-Negative
Pattern. 5.2. Parallel Moving Faces by Flat Folding. 5.3. Design for
Origami Tessellations Regarding as Positive-Negative Pattern. Appendix 4:
Deformation of crease pattern using pleat bases. 6. Folding Bellows. 6.1.
Folding Parallel Lines. 6.2. Bent Bellows. 6.3. Periodic Bellows. 6.4.
Bending Irregular Bellows. Column 03: Origami Tessellation Design Software
"Tess". 7. Application of Twist Pattern Design Method. 7.1. Reconstructing
Guide from Given Origami Tessellation. 7.2. Fractal Origami Tessellations
and Guides. 7.3. Guide with Gaps. Column 4: Connecting 3D Origami Arts and
Origami Tessellations.
0. Origami and Traditional Tessellation Patterns. 0.1. Background of
Origami Tessellations. 0.2 Crease Patterns. 0.3 Basic Geometry of
Flat-Foldable Crease Patterns. 0.4 Folded State of Crease Patterns. 0.5
Patterns for Twist-Folding. 0.6 Tessellations. 0.7. Tips for Making
Beautiful Folds. 1.Folding on Square Grid. 1.1. Square Twist-Patterns. 1.2.
Isosceles Right Triangle Twist Pattern. 1.3. Checker Base. 1.4. Changing
folded shape. 1.5. Crease patterns as connectable tile. Appendix 1: Pixel
Arts Composed of Origami Tessellation. 2. Folding on Equilateral Triangle
Grid. 2.1. Equilateral Triangle Twist-Patterns. 2.2. Regular Hexagon
Twist-Patterns. 2.3. Right Triangle Twist-Patterns. Column 1: Grid and
Twist Pattern. 3. Connecting Triangle Twist Patterns. 3.1. Creating
Triangle Twist Patterns. 3.2. Connecting Triangle Twist Patterns. 3.3.
Design for Regular Polygon Patterns. Column 02: How to use Triangle Twist
Pattern Maker. Appendix 2: Changing Length of Pleat Base. 4.Connecting of
Different Base Parts. 4.1. Connectable Side of Boundary. 4.2. Regular
Tessellations. 4.3. Tessellation with Equilateral Polygons. 4.4. Combining
Crease Patterns Having Different Guide Sides. Appendix 3: Condition that
Boundaries are Folded into Similar Shape. 5. Generating Aesthetic Origami
Tessellations. 5.1. Origami Tessellations Regarding as Positive-Negative
Pattern. 5.2. Parallel Moving Faces by Flat Folding. 5.3. Design for
Origami Tessellations Regarding as Positive-Negative Pattern. Appendix 4:
Deformation of crease pattern using pleat bases. 6. Folding Bellows. 6.1.
Folding Parallel Lines. 6.2. Bent Bellows. 6.3. Periodic Bellows. 6.4.
Bending Irregular Bellows. Column 03: Origami Tessellation Design Software
"Tess". 7. Application of Twist Pattern Design Method. 7.1. Reconstructing
Guide from Given Origami Tessellation. 7.2. Fractal Origami Tessellations
and Guides. 7.3. Guide with Gaps. Column 4: Connecting 3D Origami Arts and
Origami Tessellations.
Origami Tessellations. 0.2 Crease Patterns. 0.3 Basic Geometry of
Flat-Foldable Crease Patterns. 0.4 Folded State of Crease Patterns. 0.5
Patterns for Twist-Folding. 0.6 Tessellations. 0.7. Tips for Making
Beautiful Folds. 1.Folding on Square Grid. 1.1. Square Twist-Patterns. 1.2.
Isosceles Right Triangle Twist Pattern. 1.3. Checker Base. 1.4. Changing
folded shape. 1.5. Crease patterns as connectable tile. Appendix 1: Pixel
Arts Composed of Origami Tessellation. 2. Folding on Equilateral Triangle
Grid. 2.1. Equilateral Triangle Twist-Patterns. 2.2. Regular Hexagon
Twist-Patterns. 2.3. Right Triangle Twist-Patterns. Column 1: Grid and
Twist Pattern. 3. Connecting Triangle Twist Patterns. 3.1. Creating
Triangle Twist Patterns. 3.2. Connecting Triangle Twist Patterns. 3.3.
Design for Regular Polygon Patterns. Column 02: How to use Triangle Twist
Pattern Maker. Appendix 2: Changing Length of Pleat Base. 4.Connecting of
Different Base Parts. 4.1. Connectable Side of Boundary. 4.2. Regular
Tessellations. 4.3. Tessellation with Equilateral Polygons. 4.4. Combining
Crease Patterns Having Different Guide Sides. Appendix 3: Condition that
Boundaries are Folded into Similar Shape. 5. Generating Aesthetic Origami
Tessellations. 5.1. Origami Tessellations Regarding as Positive-Negative
Pattern. 5.2. Parallel Moving Faces by Flat Folding. 5.3. Design for
Origami Tessellations Regarding as Positive-Negative Pattern. Appendix 4:
Deformation of crease pattern using pleat bases. 6. Folding Bellows. 6.1.
Folding Parallel Lines. 6.2. Bent Bellows. 6.3. Periodic Bellows. 6.4.
Bending Irregular Bellows. Column 03: Origami Tessellation Design Software
"Tess". 7. Application of Twist Pattern Design Method. 7.1. Reconstructing
Guide from Given Origami Tessellation. 7.2. Fractal Origami Tessellations
and Guides. 7.3. Guide with Gaps. Column 4: Connecting 3D Origami Arts and
Origami Tessellations.