Brian Sheerin
Gebundenes Buch

Desires of Credit in Early Modern Theory and Drama

Commerce, Poesy, and the Profitable Imagination

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Studying the conjoined emergence of literary criticism, economic theory, and public theater at the turn of the seventeenth century in England, this book posits that what connects all three is a fascination with creating something out of nothing. Each of the five chapters highlights a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson.