Despite rhythm and blues culture's undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how R&B culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities.
Despite rhythm and blues culture's undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how R&B culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
ROBERT J. PATTERSON is a professor of African American Studies and served as the inaugural chair of the Department of African American Studies at Georgetown University in Washington, D.C. He is the editor of Black Cultural Production After Civil Rights, a coeditor of The Psychic Hold of Slavery: Legacies in American Expressive Culture (Rutgers University Press), and author of Exodus Politics: Civil Rights and Leadership in African American Literature and Culture.
Inhaltsangabe
Preface
Introduction 1. Reading Race, Gender, and Sex: Black Intimate Relations, Black Inequality, and the Rhythm and the Blues Imagination 2. "Whip Appeal:" Reading Kenneth "Babyface" Edmonds 3. "Freak Like Me:" Reading Adina Howard 4."Didn't We Almost Have It All:" Reading Whitney Houston Epilogue Appendix A Appendix B
Introduction 1. Reading Race, Gender, and Sex: Black Intimate Relations, Black Inequality, and the Rhythm and the Blues Imagination 2. "Whip Appeal:" Reading Kenneth "Babyface" Edmonds 3. "Freak Like Me:" Reading Adina Howard 4."Didn't We Almost Have It All:" Reading Whitney Houston Epilogue Appendix A Appendix B
Appendix C Acknowledgements Bibliography
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