The author analyses six novels of the "boom" in Cuban fiction of the 1990s that subvert homogenized views of Cuban identity.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Acknowledgements Introduction Carnival and Simulacra in Reinaldo Arenas's El Color del Verano Transposed Words: Mapping Intertextuality in Leonardo Padura Fuentes's Novel Máscaras The Palimpsestuous (Re)Writing of the Island as a Dialogic Practice: Literature in the Second Degree in Abilio Estévez's Tuyo es el Reino Erotic Discourse: From the Semiotic to the Symbolic in Daína Chaviano's Casa de Juegos (Re)Writing the Body as a Feminine Strategy: Yanitzia Canetti's Al Otro Lado Language Unbound: Zoé Valdés's La Nada Cotidiana Conclusion Appendix 1: First Interview with Leonardo Padura Fuentes (8 March 2004) Appendix 2: Second Interview with Leonardo Padura Fuentes (18 July 2006) Bibliography
Acknowledgements Introduction Carnival and Simulacra in Reinaldo Arenas's El Color del Verano Transposed Words: Mapping Intertextuality in Leonardo Padura Fuentes's Novel Máscaras The Palimpsestuous (Re)Writing of the Island as a Dialogic Practice: Literature in the Second Degree in Abilio Estévez's Tuyo es el Reino Erotic Discourse: From the Semiotic to the Symbolic in Daína Chaviano's Casa de Juegos (Re)Writing the Body as a Feminine Strategy: Yanitzia Canetti's Al Otro Lado Language Unbound: Zoé Valdés's La Nada Cotidiana Conclusion Appendix 1: First Interview with Leonardo Padura Fuentes (8 March 2004) Appendix 2: Second Interview with Leonardo Padura Fuentes (18 July 2006) Bibliography
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