Frederick Gross is professor of art history at the Savannah College of Art and Design. His writing has been published in periodicals such as Cabinet and Afterimage and in the volume Global and Local Art Histories. Looking past the myth of Diane Arbus to the depth of her achievement within the artistic, intellectual, and social currents of the 1960s
Frederick Gross is professor of art history at the Savannah College of Art and Design. His writing has been published in periodicals such as Cabinet and Afterimage and in the volume Global and Local Art Histories. Looking past the myth of Diane Arbus to the depth of her achievement within the artistic, intellectual, and social currents of the 1960s
Frederick Gross is professor of art history at the Savannah College of Art and Design. His writing has been published in periodicals such as Cabinet and Afterimage and in the volume Global and Local Art Histories. Looking past the myth of Diane Arbus to the depth of her achievement within the artistic, intellectual, and social currents of the 1960s
Inhaltsangabe
Preface: “Sylvia Plath with a Camera” Introduction: Between Intention and Effect 1. Documentary Photography and the Positivist Social Gallery 2. Portraits, Pastiche, and Magazine Work 3. The Body in the 1960s 4. Madness, Disability, and the “Untitled” Series 5. The Social Panorama in Context Revelations: Darkness and Illumination
Preface: “Sylvia Plath with a Camera” Introduction: Between Intention and Effect 1. Documentary Photography and the Positivist Social Gallery 2. Portraits, Pastiche, and Magazine Work 3. The Body in the 1960s 4. Madness, Disability, and the “Untitled” Series 5. The Social Panorama in Context Revelations: Darkness and Illumination
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