This edited volume is a collection of scholarly research on filmmaker Gurinder Chadha's work representing Indian culture in foreign lands. Contributors discuss the implications of such admixtures on acculturation processes, diasporic formations, and specific cultural experiences.
This edited volume is a collection of scholarly research on filmmaker Gurinder Chadha's work representing Indian culture in foreign lands. Contributors discuss the implications of such admixtures on acculturation processes, diasporic formations, and specific cultural experiences.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Shilpa Daithota Bhat - Contributions by Lauren Bettridge; Shilpa Daithota Bhat; Susan Flynn; Cristina M. Gámez-Fernández; Reshmi J. Hebbar; Lara V. Kattekola; Izabella Kimak; Alejandra Moreno-Álvarez; J. Sunita Peacock; Setara Pracha and Amardee
Inhaltsangabe
Acknowledgments Introduction Shilpa Daithota Bhat Part 1: Transnational Culture and Contexts Chapter 1:Gurinder Chadha as a Scriptwriter: the Auteur in Dialogue with Chitra Banerjee Divakaruni's The Mistress of Spices Cristina M. Gámez Fernández Chapter 2: Gurinder Chadha: BrAsian Inroads into Planetarity Alejandra Moreno Álvarez and Jorge Diego Sanchez Chapter 3: Diasporic Crosscurrents: Gurinder Chadha and Mira Nair's Early Documentaries Amardeep Singh Part 2: Power, Perspectives and Cultural Representations Chapter 4: 'You may as well please yourself': Resistance and Narrative Hegemony in the Films of Gurinder Chadha Setara Pracha Chapter 5: The Politics of the Possible in Gurinder Chadha's "Quais de Seine" Lara V. Kattekola Chapter 6: Generation Matters: Diasporic Reality and Myth-Making in Gurinder Chadha's Acting Our Age and What's Cooking? Izabella Kimak Part 3: Socio-Cultural Spaces and Multicultural Negotiations Chapter 7: Salad or Soup?: Feasts of Feminism and Multiculturalism in Gurinder Chadha's What's Cooking? Reshmi Hebbar Chapter 8: Negotiating Belonging: Multicultural education in the films of Gurinder Chadha Susan Flynn Chapter 9: Darkness on the Edge of Town: Growing up in the Suburbs in Angus, Thongs & Perfect Snogging, It's a Wonderful Afterlife and Blinded by the Light Lauren Bettridge Chapter 10: A Negotiation of 'home' in Gurinder Chadha's film Bend It Like Beckham J. Sunita Peacock About the Contributors
Acknowledgments Introduction Shilpa Daithota Bhat Part 1: Transnational Culture and Contexts Chapter 1:Gurinder Chadha as a Scriptwriter: the Auteur in Dialogue with Chitra Banerjee Divakaruni's The Mistress of Spices Cristina M. Gámez Fernández Chapter 2: Gurinder Chadha: BrAsian Inroads into Planetarity Alejandra Moreno Álvarez and Jorge Diego Sanchez Chapter 3: Diasporic Crosscurrents: Gurinder Chadha and Mira Nair's Early Documentaries Amardeep Singh Part 2: Power, Perspectives and Cultural Representations Chapter 4: 'You may as well please yourself': Resistance and Narrative Hegemony in the Films of Gurinder Chadha Setara Pracha Chapter 5: The Politics of the Possible in Gurinder Chadha's "Quais de Seine" Lara V. Kattekola Chapter 6: Generation Matters: Diasporic Reality and Myth-Making in Gurinder Chadha's Acting Our Age and What's Cooking? Izabella Kimak Part 3: Socio-Cultural Spaces and Multicultural Negotiations Chapter 7: Salad or Soup?: Feasts of Feminism and Multiculturalism in Gurinder Chadha's What's Cooking? Reshmi Hebbar Chapter 8: Negotiating Belonging: Multicultural education in the films of Gurinder Chadha Susan Flynn Chapter 9: Darkness on the Edge of Town: Growing up in the Suburbs in Angus, Thongs & Perfect Snogging, It's a Wonderful Afterlife and Blinded by the Light Lauren Bettridge Chapter 10: A Negotiation of 'home' in Gurinder Chadha's film Bend It Like Beckham J. Sunita Peacock About the Contributors
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