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In 1922, a decade after the Swiss National Bank had opened its neo-baroque building in Berne, the bank's Zurich-based governing board moved into its own grand office building. This major work of the local firm of Otto and Werner Pfister is a key example of neoclassicism in Switzerland and provided Zurich with an architectural landmark at the top end of its famous Bahnhofstrasse.
Marking the building's centenary, this book celebrates the Zurich home of the Swiss Franc. It describes in detailed and lavish illustrations the architecture and building history from the planning stage until today.
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Produktbeschreibung
In 1922, a decade after the Swiss National Bank had opened its neo-baroque building in Berne, the bank's Zurich-based governing board moved into its own grand office building. This major work of the local firm of Otto and Werner Pfister is a key example of neoclassicism in Switzerland and provided Zurich with an architectural landmark at the top end of its famous Bahnhofstrasse.

Marking the building's centenary, this book celebrates the Zurich home of the Swiss Franc. It describes in detailed and lavish illustrations the architecture and building history from the planning stage until today. This is supplemented by essays on bank architecture since the Middle Ages, the urban formation of Zurich, and the city's development into a financial center in the late nineteenth century. In his contribution, the renowned Canadian British architect Adam Caruso compares it-from today's perspective-with other central bank buildings and places it in the context of the Pfister brothers' other public commissions, many of which occupy prominent locations in Zurich's cityscape.

Richly illustrated with historical and new photographs, original plans, and other documents, this German language book pays tribute to a piece of public architecture that combines monumentality with pragmatism and republican modesty.
Autorenporträt
Der Schweizerischen Nationalbank mit Sitz in Bern und Zürich obliegt die Geldpolitik des Landes. Als Inhaberin des Banknotenmonopols ist sie im wörtlichen wie im übertragenen Sinn die Hüterin des Schweizer Frankens.
Rezensionen
«Ein rundum ästhetisches Gesamtwerk, das viel wertvolles Wissen zur Geschichte der Bankenarchitektur in sich gespeichert hat.» Kira Sophie Kawohl, AIT