This book investigates the aesthetic nature and purposes of computer culture in the contemporary world. It casts a cool eye on the claims of cybertopians, tracing the globalization of the new medium and enquiring into its effects on subjectivity and sociality.
This book investigates the aesthetic nature and purposes of computer culture in the contemporary world. It casts a cool eye on the claims of cybertopians, tracing the globalization of the new medium and enquiring into its effects on subjectivity and sociality.
Produktdetails
Produktdetails
Published in association with Theory, Culture & Society
Sean Cubitt is Professor of Film and Television at Goldsmiths, University of London; Professorial Fellow of the University of Melbourne and Honorary Professor of the University of Dundee. His publications include Timeshift: On Video Culture, Videography: Video Media as Art and Culture, Digital Aesthetics, Simulation and Social Theory, The Cinema Effect and EcoMedia. He is the series editor for Leonardo Books at MIT Press. Current research is on the history and philosophy of visual technologies, on media art history and on ecocriticism and mediation.
Inhaltsangabe
Reading the Interface Reading the Interface Virtual Realism Machine Perception and the Global Image Spatial Effects Pygmalion Silence, Sound and Space Turbulence Network Morphology and the Corporate Cyborg
Reading the Interface Reading the Interface Virtual Realism Machine Perception and the Global Image Spatial Effects Pygmalion Silence, Sound and Space Turbulence Network Morphology and the Corporate Cyborg
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