Digital Cinematography focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story.
Digital Cinematography focuses on the tools and technology of the trade, looking at how digital cameras work, the ramifications of choosing one camera versus another, and how those choices help creative cinematographers to tell a story.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
David Stump, ASC has worked on numerous motion pictures and television productions as Director of Photography, as Visual Effects Director of Photography, and as a Visual Effects Supervisor, garnering Emmy nominations and an Academy Award for Scientific and Technical Achievement. A member of the Producer's Guild of America (PGA), the Visual Effects Society (VES), the Society of Motion Picture & Television Engineers (SMPTE), the Academy of Television Arts & Sciences (ATAS), and the Academy of Motion Picture Arts and Sciences (AMPAS), Stump has worked in Digital Visual Effects for over 25 years, since the advent of Computer Generated Images for film. In 2001 he was accepted for full membership into the American Society of Cinematographers, where he is currently chairman of the Camera and Metadata Subcommittees of the ASC Technical Committee
Inhaltsangabe
Chapter 1 - Understanding Digital Theory Chapter 2 - Camera Sensors DeBayering Sensitivity and Noise Chapter 3 - Color Chapter 4 - The Colorspace Conundrum Chapter 5 - MTF Resolution Contrast and Nyquist Theory Chapter 6 - Frame Rates and Aspect Ratios High Dynamic Range and Wide Color Gamut Chapter 7 - Lenses Chapter 8 - Camera Issues Chapter 9 - High Resolution Digital Motion Picture Cameras Chapter 10 - Camera Setup / Operation Chapter 11 - Prep Work Flow Design and Testing Chapter 12 - The Shoot Chapter 13 - Workflow Data & Color Management Chapter 14 - Displays and Recorders Chapter 15 - File Formats Log Encoding Data and Compression Chapter 16 - Post Production and Digital Intermediate Chapter 17 - Delivering and Archiving Digital Movies
Chapter 1 - Understanding Digital Theory Chapter 2 - Camera Sensors DeBayering Sensitivity and Noise Chapter 3 - Color Chapter 4 - The Colorspace Conundrum Chapter 5 - MTF Resolution Contrast and Nyquist Theory Chapter 6 - Frame Rates and Aspect Ratios High Dynamic Range and Wide Color Gamut Chapter 7 - Lenses Chapter 8 - Camera Issues Chapter 9 - High Resolution Digital Motion Picture Cameras Chapter 10 - Camera Setup / Operation Chapter 11 - Prep Work Flow Design and Testing Chapter 12 - The Shoot Chapter 13 - Workflow Data & Color Management Chapter 14 - Displays and Recorders Chapter 15 - File Formats Log Encoding Data and Compression Chapter 16 - Post Production and Digital Intermediate Chapter 17 - Delivering and Archiving Digital Movies
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