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This collection of essays by Australian based practitioner-theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike.

Produktbeschreibung
This collection of essays by Australian based practitioner-theorists brings together new research on interactive documentary making. The chapters explore how documentary theory and practice is influenced by digitisation, mobile phones, and new internet platforms. The contributors highlight the questions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike.

Autorenporträt
Adrian Miles is Associate Professor in the School of Media and Communication at RMIT University, Melbourne, Australia. He is co-director of the non/fictionLab, and Deputy Dean of Learning and Teaching. He has published extensively on digital and networked video, and interactive documentary, and his research interests also include pedagogies for new media, digital video poetics, and experimental academic writing practices.