Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i.e. "composite spaces") in the context of the growing ubiquitousness of digital media and culture.¿¿
Digital Space and Embodiment in Contemporary Cinema examines how contemporary cinema has represented and engaged with the experience of simultaneously inhabiting digital and material spaces (i.e. "composite spaces") in the context of the growing ubiquitousness of digital media and culture.¿¿Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Jennifer Kirby received her PhD in Media, Film and Television from The University of Auckland in 2018 and currently works in EdTech. Her research interests include digital and screen spaces, gender, and genre.
Inhaltsangabe
Introduction: Remediating Composite Spaces 1. Composite Cities and Urban Space 2. Composite Subjectivity and Aural Space 3. Composite Colour and Networked Space 4. Composite Graphics and Game Space 5. Composite Screens and Identity Spaces 6. Composite Entities and Gendered Space 7. Conclusion: Inhabiting Composite Spaces
Introduction: Remediating Composite Spaces 1. Composite Cities and Urban Space 2. Composite Subjectivity and Aural Space 3. Composite Colour and Networked Space 4. Composite Graphics and Game Space 5. Composite Screens and Identity Spaces 6. Composite Entities and Gendered Space 7. Conclusion: Inhabiting Composite Spaces
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