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Through a close reading of interactive and experimental art works, this book explores how the digital uncanny unsettles concepts of "self," "affect," "feedback," and "aesthetic experience," forcing us to reflect on our relationship with computational media and by extension our relationship to each other and our experience of the world.

Produktbeschreibung
Through a close reading of interactive and experimental art works, this book explores how the digital uncanny unsettles concepts of "self," "affect," "feedback," and "aesthetic experience," forcing us to reflect on our relationship with computational media and by extension our relationship to each other and our experience of the world.
Autorenporträt
Kriss Ravetto-Biagioli is a film and media scholar whose work focuses on representations and theorizations of violence in media, interactive art, film, and social media. She is the author of The Unmaking of Fascist Aesthetics (2001), Mythopoetic Cinema: On the Ruins of European Identity ( 2017), and many articles on film, performance, installation art, new media, and the hacker group Anonymous. She is the co-editor with Professor Martine Beugnet of the series in Film and Intermediality.