Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
Stephen Prince argues for an understanding of digital technologies as an expanded toolbox, available to enhance both realist films and cinematic fantasies. He offers a detailed exploration of each of these tools, from lighting technologies to image capture to stereoscopic 3D. Integrating aesthetic, historical, and theoretical analyses of digital visual effects, Digital Visual Effects in Cinema is an essential guide for understanding movie-making today.
STEPHEN PRINCE is a professor at Virginia Tech. He has written or edited numerous books, including Classical Film Violence: Designing and Regulating Brutality in Hollywood Cinema, 1930–1968; The Horror Film; and American Cinema of the 1980s: Themes and Variations, all published by Rutgers University Press.
Inhaltsangabe
Acknowledgments Introduction: Beyond Spectacle 1. Through the Looking Glass 2. Painting with Digital Light 3. Actors and Algorithms 4. Digital Environment Creation 5. Immersive Aesthetics Conclusion: The Pleasures of Illusion Notes Index
Acknowledgments Introduction: Beyond Spectacle 1. Through the Looking Glass 2. Painting with Digital Light 3. Actors and Algorithms 4. Digital Environment Creation 5. Immersive Aesthetics Conclusion: The Pleasures of Illusion Notes Index
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