Ann Rowson Love, Pat Villeneuve

Dimensions of Curation

Considering Competing Values for Intentional Exhibition Practices

• Broschiertes Buch

Produktbeschreibung

This book present a model to help you to make sense of exhibitions your museum has curated. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it

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Produktdetails

• Verlag: American Alliance Of Museums
• Seitenzahl: 256
• Erscheinungstermin: 16. August 2023
• Englisch
• Abmessung: 229mm x 152mm x 15mm
• Gewicht: 421g
• ISBN-13: 9781538167366
• ISBN-10: 1538167360
• Artikelnr.: 67655668

Autorenporträt

Pat Villeneuve and Ann Rowson Love have worked together for the past thirty years, first to advance art museum education and later as proponents of edu-curation and visitor-centered curation. In 2017 they published Visitor-Centered Exhibitions and Edu-Curation in Art Museums (Roman & Littlefield) and have since collaborated on the Dimensions of Curation work. Pat Villeneuve is professor and director of arts administration and a 2021 Fulbright scholar to Belgium. She is the keynote speaker for the 2021 ICOM CECA conference and publishes and presents internationally on museum education, edu-curation, paradigmatic change, systems thinking, and the Dimensions of Curation model. Ann Rowson Love is associate professor and director of museum education and visitor-centered curation at Florida State University. She presents and publishes widely. She co-edited Systems Thinking in Museums: Theory and Practice with Yuha Jung (2017; Rowman & Littlefield) and is co-author with Deborah Randolph of the forthcoming title, An Introductory Guide to Qualitative Research in Museums (2022; Routledge). She is vice-chair of the American Alliance of Museums Curator's Committee. She was a judge of AAM's National Excellence in Exhibitions Competition from 2017-2019.

Inhaltsangabe

Preface: Ann Rowson Love and Pat Villeneuve
Acknowledgments
Part I
Chapter 1: The Dimensions of Curation Competing Values Model, Pat
Villeneuve and Ann Rowson Love
Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive
Quadrants
Traditional(Object (x) + Lone Creative (y) = Traditional)
Chapter 2: Queering the Museum: From a Traditional Model Towards a More
Inclusive Practice Kara Fedje
Chapter 3: Using Traditional Practice to Review the Chinese National Art
Exhibition Zida Wang
Exclusive(Object (x) + Collaborative (y) = Exclusive)
Chapter 4: Iterations of Curating with Matthew Ritchie: Working
Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton
Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border
Exhibition Curating in the Post Pandemic Era Ting Zhang
Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)
Chapter 6: A Shared Body - Re-envisioning Curatorial Collaboration in an
Academic Art Museum Annie Booth and Meredith Lynn,
Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to
Build Advocacy and Community Within a Teaching Museum Alexia Lobaina
Inclusive (Audience (x) + Collaborative (y) = Inclusive)
Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin
,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in
Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes,
and Cecilia Garibay
Part III: Three Dimensions: Exhibitions that ___
Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture
(z) = Disseminate)
Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien
BrazilPeter Aerts
Chapter 11: Something's Off: Reconsidering Traditional Practice Michelle
Sunset
Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)
Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the
Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady
Chapter 13: Discerning with a Good Voice: Hówate at The Heritage Center
Ashley Pourier and Audrey Jacobs
Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) =
Enrich)
Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty
Costume Exhibition Xiaonan Jiang and Xuejing Dai
Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and
Their Families Stefanie Metsemaker and Gerd Dierckx
Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)
Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at
Mucem Julia Ferloni and Emilie Sitzia
Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the
Pandemic Ashley Hartman and Melanie Rosato
Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture =
Mediate)
Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global
PandemicLesley Marchessault
Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art,
Technology, and Audiences Pieter Jan Valgaeren
Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) =
Inspire)
Chapter 20: The Boneyard: Inspiring through In-Gallery Artist
Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit
Chapter 21: There is No Planet B! An Audience Participation Project Meant
to Inspire Aline Van Nereaux
EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) =
Empower)
Chapter 22: EmPOWER: Learning from our Youngest Community Members at the
Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek
Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille
Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)
Chapter 24: Collaborative Reach of a Site-Specific Exhibition that
Addresses School Segregation Katie Fuller and Patricia O'Rourke
Chapter 25: Boundless Hospitality: M From a Different Perspective Sofie
Vermeiren
Part IV: Curatorial Change and Tools
Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda,
Charlie Farrell, Madison Grigsby, Anneliese Hardman
Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily
Dellheim,
Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter
Carpreau and Sofie Vermeiren
Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman
Chapter 30: Toward an Interactive Model of Competing Values: From
Visualization to Toolkit Morgan Joseph Hamilton
Chapter 31: Dimensions of Education: Adapting the Curatorial Model for
Museum Education Audrey Jacobs and Ashley Williams
About the Contributors