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Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop - an antihero in pursuit of his own vision of justice. In Dirty Harry's America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time.

Produktbeschreibung
Clint Eastwood's Dirty Harry became the prototype for a new kind of movie cop - an antihero in pursuit of his own vision of justice. In Dirty Harry's America, Joe Street argues that the movies shed critical light on the culture and politics of the post-1960s era and locates San Francisco as the symbolic cultural battleground of the time.
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Autorenporträt
Joe Street is senior lecturer in American history at Northumbria University. He is the author of The Culture War in the Civil Rights Movement.